4.7 • 8K Ratings
🗓️ 29 March 2025
⏱️ 51 minutes
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At 18, Jack Morris was convicted of murdering a man in South Los Angeles and sent to prison for life. It was 1979, and America was entering the era of mass incarceration, with tough sentencing laws ballooning the criminal justice system. As California’s prison population surged, so did prison violence.
“You learn that in order to survive, you yourself then have to become predatorial,” Morris says. “And then, you then expose somebody else to that, and it's a vicious cycle.”
When California started aggressively targeting prison gangs, Morris was accused of associating with one of the groups. The punishment was severe: He was sent to a special supermax unit at the state’s highest-security prison, Pelican Bay.
The facility was designed to isolate men deemed the “worst of the worst.” Like Morris, most lived in near-total isolation. No phone calls, no meaningful physical contact with another human, no educational classes, no glimpses of the outside world. The only regular time out of a cell was for a shower and solo exercise in another concrete room.
Decades later, prisoners at Pelican Bay, including Morris, started a dialogue through coded messages and other covert communication. They decided to protest long-term solitary confinement by organizing a hunger strike. It would become the largest in US history and helped push California to implement reforms.
This week on Reveal, we team up with the PBS film The Strike to tell the inside story of a group of men who overcame bitter divisions and harsh conditions to build an improbable prison resistance movement.
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0:00.0 | From the Center for Investigative Reporting in PRX, this is Reveal. |
0:05.0 | I'm Al Lezen. |
0:07.0 | It's winter 2015, and Jack Morris is on a bus that's winding down California's North Coast along Highway 101. |
0:16.0 | It's not just any bus. It's used to transport state prisoners. Jack says he's with about 40 or 50 other |
0:23.8 | men. They're shackled and some are locked in small cages. Jack's used to that. What he's not used to |
0:30.3 | is the vivid scenery rushing by, the rugged coastline, rolling Pacific, and the groves of towering |
0:37.3 | redwoods. |
0:38.3 | I could see big, giant trees as we passed them, and some look black, and then some |
0:44.3 | look green. I mean, the colors were absolutely magnificent. And it's the first exposure I've |
0:53.3 | had to this in so long. |
0:55.0 | Jack is transfixed, almost like a child, |
0:59.0 | seeing an explosion of colors for the first time, |
1:03.0 | and in a sense, he's being reborn. |
1:06.0 | Jack has just emerged from Pelican Bay, |
1:09.0 | one of America's first Supermax prisons, where he spent nearly every hour of the day alone, behind windowless concrete walls. |
1:19.3 | Now, he's being transferred to a lower security prison nearly a thousand miles away. |
1:24.8 | The further we got, the less weight I had on my proverbial shoulders. |
1:33.6 | Along the way, the bus makes some stops. |
1:36.4 | One is at a prison in the Tahachapi Mountains north of Los Angeles. |
1:41.1 | They put me in the cell by myself, and they gave me a blanket in the sheet, |
1:45.6 | and they took all my clothes. They laid me with socks, boxes, and a T-shirt. It's Christmas. |
1:50.5 | And Tahatchapie has windows. I'm shivering, cold, I'm freezing. I got the blanket wrapped around me, |
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