Hey guys, before we start today's show, I just want to give a quick shout out to the rewatchables.

One of my favorite podcasts that I sometimes participate in here at The Ringer.

It's a movie's pod.

It's a little bit different though.

It's a hardcore breakdown of movies from start to finish.

You'll find Bill Simmons on that show.

You'll find Chris Ryan, sometimes Juliet Littman.

The list goes on.

Any number of your favorite ringer friends.

So please check out the rewatchables on The Ringer Podcast Network.

When someone says, do you think you can make a movie for 150?

It's like, I could probably make three for that, depending on how I made them.

But if I made one, I think it could be pretty slick.

I'm Sean Finis, the editor in chief of The Ringer, and this is The Big Picture, a conversation

show with some of the most exciting filmmakers in the world.

Alex Ross Perry works cheap, fast, and totally in control.

In all five of his films, Impalex, The Color Wheel, Listen Up, Phillip, Queen of Earth,

and his latest Golden Exits, Perry has shown a real knack for subtle jumps in genre, thoughtful

composition, and the gift of keenly observed discomfort.

These are low budget movies made quickly about people living largely on the East Coast and

surviving fraught relationships.

Perry's about to make a change though.

...