4.8 • 688 Ratings
🗓️ 15 December 2017
⏱️ 182 minutes
🧾️ Download transcript
The Music of Bond is back with a look what many consider to be John Barry's finest work: On Her Majesty's Secret Service.
We talk about the history of the score, the key decision to go with an instrumental track instead of a vocal for the main theme, and go deep on Louis Armstrong's, We Have All The Time In The World.
As usual we go track by track through the original soundtrack release and look at some intriguing covers too.
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0:00.0 | Hello and welcome to James Bond Radio, The Music of Bond. |
0:04.1 | Episode number 10. |
0:06.3 | That's right, folks. |
0:07.3 | Double digits. |
0:08.4 | Woo! |
0:09.3 | Finally made it. |
0:10.2 | So exciting. |
0:11.5 | It is great to be back. |
0:13.2 | And today we are going to be talking about none other than On Her Majesty's Secret Service. |
0:20.0 | Joining me, as always, is co-founder, co-host Tom Sears. |
0:25.6 | Hello, Tom. |
0:26.2 | Say hello. |
0:26.9 | Hello, mate. |
0:27.4 | How's it going? |
0:28.2 | I am very, very excited to do today's episode. |
0:31.9 | Of course, it's on a Magistee's Secret Service, |
0:33.9 | which is my favorite Bond film and my favorite Bond score as well. |
0:37.4 | So I couldn't be more pumped and my favorite Bond score as well. |
0:42.8 | So I couldn't be more pumps and over the moon to get stuck into some of this, man. |
0:44.3 | That's a mouthful. |
0:44.8 | Yeah. |
0:49.5 | I mean, given your love for Bond right out of the gate, your favorite film and your favorite soundtrack. |
... |
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