Yes, this is the Grosse Mill, is our friend would say, from some, as some had said, some kind of BBC production of Alice in Wonderland.

But actually, that's a little epigraph, if you will, on one of the songs called, I can't remember, Vanishing Girl, there you go, Lady Viz, from ecstasy, or as their alter ego was,

geez, something from the chocolate, milky, I don't know.

Anyway, this is the Grasinole on AM 16th and WDCX, and we have with us for around three, Andrew Colvin,

who is the documentary filmmaker of the Malkman's photographer.

And he's joining us from the great state of Washington up in the northwest.

Andrew, thank you for coming back to visit with us in a Gratiozio.

Thank you, my pleasure.

You've got to say that, don't you?

I don't know.

I know, yeah, it's protocol. The volume's a little low, but...

Can you hear me better now?

Yeah. All right.

We left off at a very, very interesting juncture at the end of the second hour.

And you got into some of the Nazi connections.

And if you can, if you can recall,

what does this all tie into, not only with the Mothman,

but the things that do take place, strangely,

in West Virginia and the environs of them.

Well, I think the thing we were on there with regard to Moth and, first of all, was the things that some of the contactees were being shown by, quote, the aliens or the spacemen.

I mean, it's kind of interesting that these

spacemen were not gray aliens like all the other ones we hear about. These are

...