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The Moth

The Moth Radio Hour: The Rest is History

The Moth

The Moth

Arts, Performing Arts

4.625.4K Ratings

🗓️ 23 May 2023

⏱️ 51 minutes

🧾️ Download transcript

Summary

In this hour, an ancient instrument, a life-changing disaster, and survival in the face of genocide. People who experienced history, and its artifacts, firsthand. Hosted by The Moth's Senior Director, Meg Bowles. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.

Storytellers:

Musician Frank Almond makes a historic discovery.

Sivad Johnson takes us behind the scenes of the Detroit Fire Department.

Henny Lewin, a young Jewish girl, is smuggled out of a Lithuanian ghetto during WWII.

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, Maw family. Have you listened to our new podcast, Grown yet? Grown, that's GROWN,

0:06.1

is a podcast filled with true stories all about the joys and pains of growing up.

0:10.4

Listen with a young person in your life, or by yourself to hear Maw stories,

0:14.7

storyteller interviews, and audio diaries from young voices that tackle family dynamics,

0:19.6

heartbreak, culture, mental health, and so much more. If you love listening to Maw stories,

0:25.1

then share Grown with a young person in your life. Find it by searching GROWN on all major podcast

0:32.0

platforms.

0:45.7

From PRX, this is the Maw radio hour. I'm Meg Bulls and in this hour we'll hear three stories

0:50.9

told live on stage in Northampton, Massachusetts, New York City, and Flint, Michigan.

0:57.1

Our first storyteller, Frank Ommand, is the concert master of the Milwaukee Symphony Orchestra.

1:02.0

Frank is a professional violinist and has performed as a soloist in some of the world's most

1:06.2

important music venues, including the Alice Tully Hall at Lincoln Center, where he told this story.

1:11.7

The only difference this time he took the stage without his violin. Here's Frank Ommand,

1:17.2

Liza Kamaas.

1:23.7

In 2008, I received an email and the subject line was a violin. And the center

1:31.8

went on to explain that they had in their position a Stradivarius violin from 1750,

1:37.6

and it was part of an estate situation, and they were looking for some guidance.

1:42.3

I'm a professional violinist and have had the good fortune to play any number of Stradivarius

1:48.2

instruments for decades all over the world, even in here a few times, as I recall.

1:54.9

And the thing about Stradivarius, the mystique is not that they're 300 years old or that they're

2:02.8

worth so much money. It's that they're these amazing functional antiquities and they're powerful

2:12.6

and they're sonically nuanced and they're perfectly crafted and engineered. And they have these

...

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