'The Marvelous Mrs. Maisel' Creator Amy Sherman-Palladino
Bullseye with Jesse Thorn
NPR
4.7 • 2.7K Ratings
🗓️ 4 August 2020
⏱️ 43 minutes
🧾️ Download transcript
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| 0:00.0 | Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. |
| 0:19.6 | Coming to you from my home office in Los Angeles, it's Bullseye. I'm Jesse Ford. |
| 0:24.6 | Amy Sherman-Paladino has worked on some of television's most beloved comedies. She started |
| 0:29.6 | out as a staff writer on Roseanne back in the early 1990s. She went on to create the |
| 0:34.3 | Gilmore Girls, maybe part of that one. These days, she's the creator of the Marvelous |
| 0:39.2 | Mrs. Maisel. The show is about Midge Maisel and her dysfunctional family. Midge is a housewife |
| 0:45.5 | who lives in 1950s, New York. She finds out her husband is having an affair and decides |
| 0:50.5 | to channel her pain into a stand-up comedy career. The show has won its fair share of the |
| 0:56.1 | awards, a pee body, a golden globe, a truckload of Emmys. In fact, we just got word that |
| 1:00.9 | the show is up for 20 Emmys this year, 20-0. So we figured now is a good time to replay |
| 1:07.9 | my conversation with Amy Sherman-Paladino from last year. One of Amy's superpowers, |
| 1:13.3 | I think, is writing scenes with quick punchy dialogue between characters. Here's an example. |
| 1:19.2 | This is a clip from the Marvelous Mrs. Maisel. Midge and her manager, Suzie, are at a TV |
| 1:23.8 | studio Suzie's got Midge her first television appearance and it's every comic stream |
| 1:29.0 | breakthrough booking a telephone. |
| 1:53.8 | Amy Sherman-Paladino, welcome to Bullseye, it's nice to have you on the show. |
| 2:17.7 | I'm glad to hear that. Not 100% sure if it was sincere, but it's sincere as I can |
| 2:25.4 | muster on the night before a table read. That's what you get. |
| 2:27.9 | Now we're talking, what's the table read tomorrow? |
| 2:31.1 | Tomorrow we read the last episode of season 3. |
| 2:36.0 | Are you nervous about it because things have gone poorly or simply because what you |
| 2:42.2 | have written is now going to come alive and you could potentially be embarrassed? |
... |
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