So today on the podcast, we continue our story of Disney legend Mary Blair.

In Disney circles, there are a set of features that in terms of Mary's involvement are

often called the Big Three.

The three were her contributions made the most significant difference in creating the final

film.

These are also the features that did the most to bring the Disney studio back to profitability after the war.

These films are Cinderella, Alice in Wonderland, and Peter Pan.

Last week we looked at the development of Cinderella, particularly how Mary's artwork for this feature was among

the most personal in her Disney repertoire.

Some of the isolation she felt moving to New York surely influenced the sense of isolation

and confinement that permeates her set of concept images for Cinderella.

Today we'll look at Alice in Wonderland and also explore

how Mary's contributions were essential to bring that story from an idea up to an actual feature.

That is, we'll take a look at what Mary did with the Alice material to turn it into a Disney feature,

overcoming many of the struggles and challenges that had stymied previous Disney artists and

story teams working on this same material. In fact, Disney had tried to put this material

forward as a feature multiple times but was unsuccessful,

that is, until Walt gave the material to marry and a new set of story artists, and they began

to work on it in the late 1940s.

We'll also take a look at the growing friendship and sense of mutual admiration

that was developing more between Walt and Mary during these years. But before we get into

all of that, I need to thank another round of Bandcamp subscribers as these here are the people who keep this whole podcast going.

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