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Classic Ghost Stories

The House of The Dead Hand by Edith Wharton

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 17 August 2023

⏱️ 94 minutes

🧾️ Download transcript

Summary

Edith Wharton was born Edith Newbold Jones on January 24, 1862, into a wealthy New York family. She was a prolific writer, known for her insightful and critical portrayal of the American upper class. Her most famous works include "The Age of Innocence," "Ethan Frome," and "The House of Mirth." Wharton was the first woman to win the Pulitzer Prize for Literature in 1921. She was also a keen designer, traveler, and a dedicated supporter of French efforts during World War I, for which she was awarded the French Legion of Honor.The Story and Its Context: "The House of the Dead Hand" was published in 1904, a time when Wharton was beginning to establish herself as a serious writer. This was a period of significant personal and social change for Wharton. She was beginning to question the constraints of her privileged New York society, and these themes of societal constraints and personal freedom are evident in the story. The story also reflects Wharton's love for Italy and her deep knowledge of art and culture. "The House of the Dead Hand" by Edith Wharton is a compelling exploration of power dynamics, personal freedom, and the enduring influence of the past. The story centers around Miss Lombard, a woman trapped by her father's control and his obsession with a Leonardo da Vinci painting. Even after her father's death, she remains ensnared by his influence, symbolized by the painting she cannot sell. This narrative can be seen as a critique of patriarchal control, reflecting Wharton's own questioning of societal constraints. From a Freudian perspective, Miss Lombard's complex relationship with her father can be interpreted as a manifestation of the Elektra complex. The story also incorporates elements of Jungian psychology, with the painting serving as a powerful symbol of the unconscious. Wharton's narrative structure effectively builds tension, foreshadows dramatic events, and delivers a chilling twist, leaving a lasting impression of Miss Lombard's despair and entrapment. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

The House of the Dead Hand by Edith.

0:07.0

The House of the Dead Hand by Edith Wharton.

0:24.4

Published August 1904 in Atlantic Monthly.

0:29.1

1.

0:31.0

Above all, the letter ended, don't leave Sienna without seeing Dr. Lombard's Leonardo.

0:39.0

Lombard is a queer old Englishman, a mystic or a madman, if the two are not synonymous,

0:45.6

and a devout student of the Italian Renaissance.

0:49.0

He's lived for years in Italy, exploring its remotest corners,

0:52.9

and has lately picked up an undoubted Leonardo, which

0:56.4

came to light in a farmhouse near Bergamo. It is believed to be one of the missing pictures

1:01.5

mentioned by Vasari and is, at any rate, according to the most competent authorities, a genuine

1:08.0

and almost untouched example of the best period.

1:12.7

Lombard's a queer stick and jealous of showing his treasures, but we struck up a friendship

1:17.6

when I was working on the Sodomers and Siena three years ago, and if you give him the

1:22.2

enclosed line, you may get a peep at the Leonardo. Probably not more than a peep, though, for I hear he refuses

1:29.6

to have it reproduced. I want badly to use it in my monograph on the Windsor drawings, so please

1:35.8

see what you can do for me. And if you can't persuade him to let you take a photograph or make a

1:41.2

sketch, at least jot down a detailed description of the picture and

1:45.5

get from him all the facts you can.

1:48.0

I hear that the French and Italian governments have offered him a large advance on his purchase,

1:52.8

but that he refuses to sell at any price, though he certainly can't afford such luxuries.

1:58.0

In fact, I don't see where he got enough money to buy the picture. He lives in the Via

...

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