3.7 • 928 Ratings
🗓️ 18 February 2022
⏱️ 10 minutes
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0:00.0 | Hollywood-held hostage. I'm Rebecca Lieb. I'm Jason Horton. And this is Ghost Town. |
0:19.3 | On October 5, 1945, a six-month strike by the set decorators represented by the Conference |
0:25.1 | of Studio Unions came to a boil leading to a bloody riot at the gates of one or |
0:30.0 | other studios known as Hollywood Black Friday. And it is Friday. It is Friday. Today is a Friday. |
0:39.1 | This is about a Friday and we're discussing Fridays. What do you want? What do you want? |
0:44.8 | Nothing. Probably everything. No, this is all you want and it's all you'll get. |
0:49.8 | Well, that's what Hollywood told the crew and workers and they were like, no, how about |
0:57.3 | we riot? In 1945, the movie industry is at the tail end of the Golden Age of Hollywood and post-World |
1:04.0 | War II. Things are changing and the movie industry is making huge profits. Think about that time |
1:10.1 | in the 1940s. I mean, I'm really releasing like 40 movies a month or something like that. |
1:16.0 | Exactly. Movie stars are big. We got your carry grants and your Gregory Pecs. |
1:22.4 | Totally, but they're all tied to the studio system. So they are really beholden. It's not like |
1:26.7 | now where celebrities are bigger than life. They can work for many studios, do lots of different |
1:31.4 | things. At that point, unless the studio released them to do a film somewhere else or to do |
1:37.2 | some kind of shoot or a player, whatever, they were really, really beholden to the studio that |
1:41.3 | they worked for. And they worked there for many, many years, like contracts for 10 years, 20 years. |
1:45.3 | It's a long time. And sometimes that worked out and sometimes you found that that wasn't great |
1:49.3 | because careers waned and things changed and you're stuck at a place where you can't do what you |
1:55.4 | want or you can't do something that will continue your career. For once, we're not going to talk |
2:01.3 | about the celebrity. For once. We're going to talk about the people that make the things happen, |
2:07.6 | namely, in this case, the set decorators. I like that. The people that made, you know, |
2:13.0 | these sets were amazing lavish, huge ground breaking, especially the time, like go back and watch |
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