4.8 • 1.5K Ratings
🗓️ 12 July 2019
⏱️ 85 minutes
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| 0:00.0 | Prison Camp is a war movie sub-genre we've been sentenced to several times. |
| 0:07.3 | Most often, within the context of World War II. |
| 0:10.8 | And it's not a perfect fit in the category of war films because these films take |
| 0:14.9 | place so far from any battlefront and don't occupy the same emotional realm. We're not finding |
| 0:21.1 | out if it's possible for an atheist to be in a foxhole or gripping the edges of our seats while a pilot initiates a barrel roll to avoid a missile. |
| 0:29.0 | These films about prisoners of war rarely break out into combat and explosions unless John Rambo shows up to take some photos. |
| 0:37.0 | They, by their very nature, unfold at a different pace and explore a different kind of drama experienced during war. |
| 0:45.0 | It's not the sudden impact of combat but the slow burn, the building pressure of captivity at the hands of an enemy that creates the tension. |
| 0:53.4 | And we've already hit some of the high points of this sub-genre on previous episodes of |
| 0:57.0 | Friendly Fire, but it's been impossible up to now to have had a comprehensive conversation about POW films without talking about today's |
| 1:05.9 | 1963 John Sturgis Classic. |
| 1:09.3 | With a cast led by Cool as Hell Steve McQueen, stunningly good-looking James Garner and absolute unit Charles |
| 1:16.8 | Bronson. |
| 1:17.9 | The film follows British Anzac and American officers of their respective Air Corps who have respecialized in their captivity as an |
| 1:25.3 | ingenious squadron of escape artists. |
| 1:28.2 | They have reimagined the command structure to include new jobs like manufacturer, scrounger, forager, and Tunnel King. |
| 1:36.0 | Sir Richard Attenborough serves as Big X who oversees the construction of three tunnels out of |
| 1:40.5 | camp through which the plan is to send out dozens if not hundreds of men. |
| 1:45.6 | To achieve this objective would mean the Nazis would have to use their resources to round |
| 1:49.4 | up the escapees, drawing their focus away from the front lines. |
| 1:53.2 | During its nearly three-hour runtime, the film pits Luftwaffe prison guards in charge of this |
| 1:58.2 | freshly constructed prison camp against a hyper resourceful group of prisoners depicting their relentless demonstration of prison-break tradecraft. |
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