You all listening to Frank Skinner's podcast from Absolute Radio.

This, however, is Frank Skinner. I'm with Emily Dean and Alan Cochran and we're on Absolute Radio.

You can text the show on 812-15, 812-15. Follow the show on Twitter at Frank on the radio.

Email the show via the Absolute Radio website. Morning, Jim, morning, Peter. Morning, Michi.

So, you didn't get into character there? I did.

Oh, did you? Is that character? I didn't say. Wow. I just said morning.

Okay. You know, morning. I think you need a good or something though.

Oh, it was a morning. That's just, that's a time check. It's not a greeting.

I'm going to check in the scripts. No, it doesn't say. My manager says morning.

I've just something to look at the script. You know, it's heavily scripted this.

Yeah, I'm sort of think we should have had another meeting about it.

Should have had some of those writers in. I said I'm not sure about the gaps.

You're all fine with it. I left everyone on a cliffhanger. I feel I should get straight.

I've never done this before. You did. There's new territories, isn't it?

I've got one week long cliffhanger. You were actually in a car park?

No, on an industrial estate. I was on a car park, you know, an industrial estate in high wickum.

At Oxford Instruments. Outside Oxford Instruments.

Okay. What the first debate I think we got into was whether Oxford Instruments make sort of intellectual

student type instruments like lutes and so on. And I said they made compasses and factors.

Why does the word helix come to my mind when I think of my pencil case?

I do. I think that. I don't know. But we have had an email from Michael Dodd.

Fair enough. Okay. I'm titled Oxford Instruments.

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