Okay, we are live. Hi, welcome to William Ramsey Investigates on today's show. I'm a very special guest.

Returning us, we were talking in the pre-show for a long time and figuring out technical stuff on audio on my side.

But this will be our 27th show. It's incredible. We've done some great shows. I was reading through kind of my catalog with Sean Wake the Dead we've done stuff on Donald Camel Arthur C. Clark

Jordan Peel white noise Kinsey Utopia did the British TV program predict our

present dystopia yes it did in my opinion Rosemary's baby we did two shows

we've done two shows on the subject we're going to cover today different angle of the subject which is

Stanley Kubrick we've done two he's done probably I mean I think the best analysis at first of this

great film that came out in 1999.

And so many, you know, you can just go over and over again.

But it still comes up and things.

So, like, I think this was episode 2,20040 of Joe Rogan's, you know, number one podcast in the world he had on Quentin Tarantino and his

writing partner for Pulp Fiction Roger Avery and of course like amongst other things

Cooper pops up and eyes wide shut so I'm going to start off with that video but then we're

going to go into something that Fidelio experiments that Sean has been kind of working on.

I listened to the podcast he did with Brett over at Saip Cinema and some of these interesting aspects of what a genius.

I mean, really just a genius, Kubrick was in so many things.

And so how pressure does eyes wide show.

It was so incredible.

Overlapse was stuff.

I was researching Fidelio, Beethoven's Fidelio this morning.

And that was also just more unraveling.

And I think it's kind of interesting too,

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