The Fabric of Life: An Interview with Gee's Bend Quiltmaker Loretta Pettway Bennett
Dressed: The History of Fashion
Dressed Media
4.6 • 1.6K Ratings
🗓️ 1 February 2022
⏱️ 37 minutes
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| 0:00.0 | Dress the history of fashion is a production of iHeart Radio. |
| 0:22.4 | Over seven billion people in the world, we all have one thing in common. |
| 0:26.2 | Every day, we all get dressed. |
| 0:28.3 | Welcome to Dress the history of fashion, a podcast where we explore the who |
| 0:32.7 | what when of why we wear we are fashion historians and your hosts April Callahan and Cassidy |
| 0:39.2 | Zachary. So dress listeners like myself many of you might be familiar with the recent and widely |
| 0:44.8 | publicized collaboration between fashion designer Greg Lauren and 14 quilt makers from the |
| 0:50.7 | community of Boykin, Alabama better known as G's Bend. Lauren fashion 96 garments out of 270 |
| 0:58.4 | panels created by hand by the G's Bend quilters. But this high profile collaboration is only the |
| 1:04.0 | latest to recognize and celebrate the artistry of the same cultural bearers of G's Bend quilt making |
| 1:10.3 | tradition. Yes, and this year marks 20 years since Houston Museum of Fine Arts 2002 landmark |
| 1:17.5 | exhibition, the quilts of G's Bend, which was instrumental in bringing international recognition |
| 1:22.6 | to G's Bend living textile heritage, you know, directly challenging the artistic canon by |
| 1:28.3 | elevating the quilt making craft to the place of fine art. And fast forward to today, |
| 1:34.1 | G's Bend quilts are found in permanent collections of over 20 leading museums and also have been |
| 1:41.0 | the subject of numerous subsequent exhibitions. They are also highly sought after collectors items |
| 1:46.7 | with many of the quilt makers themselves being represented by galleries all around the world. |
| 1:51.6 | Yeah, and perhaps no organization, however, has done more to promote the G's Bend quilters than |
| 1:56.5 | the nonprofit Souls Grown Deep, which is dedicated to documenting preserving and promoting black |
| 2:02.1 | artists from the south. And they have done incredible work advocating for these artists, |
| 2:06.8 | rightful recognition and inclusion and then contemporary and historical canon of American art. |
| 2:12.0 | While helping to place these artists work in museum collections around the world, the organization |
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