The Expected One (GT Mini)
Ghost Town: Strange History, True Crime, & the Paranormal
Ghost Town
3.7 • 938 Ratings
🗓️ 13 March 2022
⏱️ 7 minutes
🧾️ Download transcript
Summary
A painting from 1860 indicates time travel might just be real.
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Transcript
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| 0:00.0 | A call from the future. I'm Jason Horton. I'm Rebecca Leib. And this is Ghost Town. |
| 0:20.8 | Jason, I'm going to show you a painting and you tell me what you see. |
| 0:25.3 | I see a woman in a field. Maybe walking on a path. She's wearing a red hat. Yeah. |
| 0:35.3 | Some kind of headwear. It's one of the time of the time. It looks like 1700s, 1800s, very old timey. |
| 0:43.4 | And it looks like, it looks like she's on the iPhone 15. Is this a commercial for the iPhone 15? |
| 0:49.7 | Not quite. This piece, this painting, completed in 1860, is called the expected one. |
| 0:55.8 | And it is made by Austrian artist Ferdinand Georg Waldmühler. |
| 1:00.8 | For context, Waldmühler is one of the most famous painters of the Beater Meyer period. |
| 1:05.2 | The expected one depicts, like you said, a young woman. She's walking down a dirt path. She's surrounded |
| 1:10.0 | by trees and shrubbery with quiet rolling hills in the background. On the right, there's a young man |
| 1:15.8 | who's waiting for her with a pink flowers kind of on one knee. But like you said, it's not really |
| 1:21.2 | about what's around her that we're going to talk about, but what she is holding. Is it an iPhone? |
| 1:27.8 | Whatever it is, it has created an intriguing online conspiracy theory. |
| 1:32.4 | The strange thing that the girl's holding was first noted by Peter Russell, a retired local |
| 1:36.4 | Glasgow government officer and his partner. When they paid a visit to the new Pina Kotec, |
| 1:42.5 | I am sure I'm saying that wrong, a museum of 18th and 19th century art in Munich. |
| 1:47.6 | It didn't make sense, but Russell couldn't unsee the painting subject, holding an iPhone, |
| 1:53.1 | 1512, which to him was painted realistically, a small box, the correct size, |
| 1:59.9 | even the light from the object on the girl's clothing. And even the way that she's looking at it, |
| 2:05.2 | engaging with it, not watching where she's walking, completely absorbed in whatever she's holding. |
| 2:12.1 | Sounds familiar. It sounds like a smartphone. |
| 2:16.5 | Quote, what strikes me most is how much a change in technology has changed the interpretation of |
... |
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