The Director Rob Marshall on Halle Bailey as “The Little Mermaid”
The New Yorker Radio Hour
WNYC Studios and The New Yorker
4.2 • 6.2K Ratings
🗓️ 30 May 2023
⏱️ 16 minutes
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| 0:00.0 | This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker. |
| 0:11.6 | This is The New Yorker Radio Hour. I'm David Remnick. The Little Mermaid, a remake of the animated |
| 0:18.1 | classic that's now using live actors opens this weekend. |
| 0:22.8 | A remake like this is not without all kinds of risks. |
| 0:25.9 | The underwater musical sequences have to convince us that they're real. |
| 0:30.2 | Generations of fans grew up on the 1989 original, |
| 0:33.9 | and they'll hold it to some very high standards. |
| 0:36.8 | And ever since the singer and actress, |
| 0:39.0 | Hallie Bailey, was announced as the new Ariel, |
| 0:42.3 | there's been a racist backlash from a small but loud chorus on social media, |
| 0:48.0 | and it feels all too familiar. |
| 0:50.6 | While it's got a lot of fans, it is also being attacked by some internet trolls. |
| 0:55.6 | The actress Hallie Bailey stars as Ariel in Disney's new live-action film, |
| 1:00.4 | and she looks nothing like the animated Little Mermaid with red hair from the original 1989 classic. |
| 1:07.5 | Then there are the ugly racist tweets. |
| 1:10.3 | The Little Mermaid is white, not black. |
| 1:15.2 | Nomi Fry covers pop culture for the New Yorker, and she talked about The Little Mermaid the other day |
| 1:20.3 | with its director, Rob Marshall. Now, Marshall is not your typical blockbuster director. He began |
| 1:27.1 | his career as a dancer on Broadway, |
| 1:29.9 | but he was injured while performing in Cats. |
| 1:32.4 | So he eventually turned to filmmaking. |
| 1:34.7 | Since then, Marshall has directed Chicago, |
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