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More Perfect

The Criminal Justice Amendments with Adia Victoria

More Perfect

WNYC Studios

Wnyc, Scotus, Perfect, History, Court, More, Documentary, Courses, Supreme, Education, Society & Culture

4.814.7K Ratings

🗓️ 25 September 2018

⏱️ 28 minutes

🧾️ Download transcript

Summary

The Fourth, Fifth, Sixth, Seventh and Eighth Amendments enshrine some of our most important civil liberties. They tell us about the rights we have when the government knocks on our door, including protections from "unreasonable searches and seizures," self-incrimination, "cruel and unusual punishments," and the right to "a speedy and public trial" — among others.

Episode Two looks at these amendments through the story of one man, Christopher Scott, who finds himself face-to-face with Dallas police officers as they investigate a violent crime. The role that these amendments play — and fail to play — in Christopher’s encounter tells a profound story about the presence of the Constitution in our everyday lives.

And when you're done with the episode, listen to the songs by Briana Marela, Torres, Sons of an Illustrious Father, Adia Victoria, Nana Grizol, and High Waisted inspired by Amendments Four, Five, Six, Seven and Eight on "27: The Most Perfect Album."

Special thanks to Gloria Browne-Marshall and David Gray.

In Season three, More Perfect is taking our camera lens off the Supreme Court and zooming in on the words of the people: the 27 amendments that We The People have made to our Constitution. We're taking on these 27 amendments both in song and in story. This episode is best listened to alongside "27: The Most Perfect Album," an entire album (an ALBUM!) and digital experience of original music and art inspired by the 27 Amendments. Think of these episodes as the audio liner notes.

You can listen to all of the songs on "27: The Most Perfect Album" on YouTube and watch music videos from the album.

Follow us on Instagram, Threads and Facebook @moreperfectpodcast, and X (Twitter) @moreperfect.

Transcript

Click on a timestamp to play from that location

0:00.0

It's not your wrong interpreting my protection.

0:11.0

Hi, my name is Brianna Morella, and when I first heard about this project, I was hanging out with my mom in Seattle,

0:18.0

and I started talking to her about how I would approach the idea of writing a song about a constitutional amendment.

0:27.0

We started talking about some different amendments and then started focusing on the Fourth Amendment.

0:34.0

I started doing some research and I ended up finding a legal term associated with the Fourth Amendment called

0:45.8

Fruit of the Poisonous Tree.

0:47.0

When you take what you do,

0:52.0

what you do. me, when you take from me,

0:55.0

when you take from me, when you take from me,

0:58.0

when you take what you to from me,

0:59.0

when you take what you take from me.

1:01.0

I named my song after it. It means that evidence found by being searched illegally

1:08.0

is deemed tainted evidence and cannot be used against someone in court.

1:20.0

I had a realization that the Fourth Amendment is basically about having consent in the way you were treated by the government, and so my song references that by way of romantic consent as a parallel.

1:27.0

In the name of love.

1:34.0

Bonifide, can't be right.

1:40.0

It's restless.

1:50.0

I keep my heart safe and guarantee. Every one's got something to prove.

1:55.0

I have reason to believe.

1:58.0

You're hiding something.

2:01.0

Privacy. The first lyrics I wrote for the song were when you take what you took from me

2:11.0

when you take what you took what you took from me. When you take what you took from me

...

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