It's March 20th, 2011, and this is The Candid Frame. Welcome to another episode of the show.

I've received a great response to the last episode, which featured my conversation

with Jeffrey Sedoras of the Fated and Blurred podcast and website.

I wasn't sure how the episode was going to be received, but I'm very happy to know that the conversation resonated with so many of you.

We'll be continuing this conversation periodically on the show and elsewhere, so stay tuned for more on that front.

I know that this show has become a big part of many of your photographic lives, and I want to encourage you to help support the show

in a variety of ways. You can do that by spreading the word about the show with others in your

camera clubs and associations, as well as promoting it on your blogs or Twitter or Facebook, every little bit helps to get

the word out.

As well, reviews of the show on the iTunes Music Store are always appreciated.

And of course, any donations of $10, $20, $50 or even more are always welcome.

You can make donations by simply clicking on the PayPal link on the

Candid Frame website. Now, today's guest is a Pulitzer Prize winning journalist, who is one of

those photographers who's helping to redefine storytelling in the digital age. The Ann Fitzmorest

has created award-winning stories with still images, but she is also on the

forefront of using multimedia as an important photojournalistic tool. Her stories of a young Iraqi boy

recovering from horrific wounds to the life of a young mother in a carnival demonstrate both

her keen sense of story and her sensitivity to the humanity of her subjects.

So sit back and enjoy our conversation with Deanne Fitzmaughness.

Well, Deanne, welcome to The Candid Frame.

I'm glad that we finally were able to sit down and talk to each other.

I'm excited to have the chance to speak to you about you and your work.

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