4.4 • 1.4K Ratings
🗓️ 26 December 2022
⏱️ 46 minutes
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A special Boxing Day episode hosted by Rachel Cunliffe, looking back at the best (and worst) of the year in culture. She is joined by Tom Gatti, the New Statesman’s executive editor for culture, Kate Mossman, senior writer, and Rachel Cooke, our regular TV critic, to talk about their picks across TV, music, books, and film.
In music, they discuss the high-art cabaret of Christine and the Queens’ Redcar and Kate’s nerve-wracking interview with Nick Cave about his deepening faith and grieving for two sons.
In film, the stand-out was The Quiet Girl, based on Claire Keegan’s story of early-1980s rural Ireland which left Rachel Cooke and Tom weeping.
In TV, they move from the indulgent theatre of the Harry and Meghan documentary to the exquisite observations made in the BBC series Marriage, and explain why people can’t stop the watching the second season of The White Lotus.
And in books, highlights include the nasty but brilliant novel Vladimir by Julia May Jonas and Katherine Rundell’s The Golden Mole, while the unanimous lowlight is Matt Hancock’s retrospectively constructed and entirely delusional Pandemic Diaries.
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| 0:00.0 | Hi, I'm Rachel Gunliff. I'm Tom Gatti. I'm Kate Mossman. I'm Rachel Cook. |
| 0:12.5 | And on today's special edition of the New Statesman podcast, we're going through our |
| 0:15.7 | cultural highlights of the last year. |
| 0:17.6 | Kate, Rachel, Tom, thanks so much for joining us. We're going to try and do a sort of whistle-stop |
| 0:32.0 | tour through books and TV shows and music and maybe even some film over the next 40 minutes. |
| 0:38.6 | And it's really over to you guys to talk about some of the stuff that you've written about in the |
| 0:42.7 | magazine over the last year, some of the cultural highlights that you've found personally |
| 0:47.4 | moving and to try and encourage the rest of us along. So I thought we'd start with you, Tom, |
| 0:53.3 | and with the author Catherine Rondell for two reasons, one, which is that she won the |
| 0:58.9 | Bayley-Gether prize for, not a fiction this year, two obviously very important that she |
| 1:02.6 | featured in the special issue of the New Statesman edited by Gweta-Tunberg. Take it away, Tom. |
| 1:09.0 | Yes, so I feel like I've come along to show until I've got my copy of Catherine Rondell's book |
| 1:14.9 | here, but it's not actually her biography of John Dunn, which won the Bayley-Gether prize. |
| 1:20.0 | It's the golden mole and other living treasure, which is the second book that the |
| 1:26.2 | prodigious and prolific Catherine Rondell published this year. I love this book so much. It's a |
| 1:32.3 | deceptive little book because it looks like it could be a children's book or a kind of very |
| 1:37.6 | classy Lou book, perhaps. When you open it, you might think it's this a kind of |
| 1:42.8 | compendium of amazing facts, animal facts, you know, like the kind of annuals my kids read, |
| 1:49.5 | and it is that, but it's so much more. It's very urgent in its message. It's very beautifully written, |
| 1:55.7 | just a briefly describe it. It's 22 short chapters on different creatures, the 22nd being the human, |
| 2:03.5 | and it's full of what Catherine Rondell calls astonishments, so she's picked creatures |
| 2:09.6 | that have something truly remarkable about them. So whether that's the Greenland Shark, which lives |
... |
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