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Decoding The Unknown

The Beast of the Gévaudan: A Mysterious Murderous Monster in 18th Century France

Decoding The Unknown

Cloud10

History

4.81.1K Ratings

🗓️ 25 August 2023

⏱️ 47 minutes

🧾️ Download transcript

Summary

Uncover the chilling mystery of the Beast of Gévaudan, a terror that haunted 18th-century France. Delve into historical accounts, failed hunts, brave witnesses, and theories surrounding this enigmatic creature. Discover the shocking truth behind the nationwide hysteria in this captivating exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hello already welcome back to another episode of Dakota the Unload the show where we decode the unknown

0:04.2

What I'm to say what am I right in this case are nade

0:06.2

Thank you arnade is written a script that I've never read before

0:08.9

It's all about the beast of gevundin and is French and at some point I'm definitely going to

0:14.9

pronounce it Gavudin or something. So just imagine whenever I pronounce it wrong

0:19.5

that I'm saying it correctly, Jeavodin. Arnaado left me a four-line, five-line,

0:25.0

sorry, pronunciation guide.

0:27.0

And rather than just doing that, I just looked it up on line.

0:30.0

On-A-Nal-I'm sorry.

0:32.0

He says, pronounced G in jedavar jevard an like S in measure the

0:36.8

vow sounds like vau in void Dan sounds like Dan so overall the world sounds like

0:41.9

javu don't pronounced as if you were drunk like most of the French

0:45.8

language.

0:46.8

Ah, bonjure, my me!

0:49.7

I was just in France and my wife speaks no French. I speak barely any French at all.

0:55.8

So it's the first time like we really travel anyway where I'm the one that we're relied on for

0:59.9

language because she generally just speaks more languages than me.

1:03.4

So I'm like, ah, bonjure, Monsieur, I'll view Drey Crescent! French cinema enjoys perhaps an unfair reputation of pretentiousness. Movies produced in that

1:19.9

fair land are often perceived as being long meandering, cryptic,

1:23.0

replete with baffling silences,

1:25.0

rambling dialogues, unrelated tandrons and unnerving endings

1:28.0

cobbled together by a director who may as well be named

...

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