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Story Grid Writing Podcast

The Atomic Theory of Storytelling

Story Grid Writing Podcast

Shawn Coyne

Books, Language Learning, Authors, Education, Story, Publishing, Arts, Creativity, Writing, Fiction Writing

4.8767 Ratings

🗓️ 12 April 2019

⏱️ 51 minutes

🧾️ Download transcript

Summary

This episodes twists and turns from emotion in storytelling to dissecting the hydrogen atom. It's a great episode and will make you look at your story in a new, fresh way.

Transcript

Click on a timestamp to play from that location

0:00.0

Hello and welcome to the Storygrid podcast. This is a show dedicated to helping you become a better writer.

0:06.7

I'm your host Tim Grawl and I'm a struggling writer trying to figure out how to tell a story that works.

0:12.7

Joining me shortly is Sean Coyne. He is the creator of StoryGrid, the author of the book StoryGrid, and an editor with over 25 years experience.

0:23.2

In this episode, we continue working through the basics of storytelling and looking at the story grid. And we start off talking about

0:30.1

the Kubler-Ross curve and the gas gauge of needs. But then we also just talk some more about

0:35.9

the fears that we've talked about in the last

0:38.5

couple episodes, how that applies and how that kind of mirrors some atomic theory as well.

0:44.7

It's really interesting.

0:45.6

So it's a great episode.

0:46.9

I think he'll enjoy it.

0:47.9

So let's jump in and get started.

0:50.5

So Sean, as we've been kind of working through the basics and kind of the foundational principles of StoryGrid, the next thing I was looking at was the Kubler-Ross change curve for story, which then got me thinking about the gas gauge of needs, which you came up with after the book,

1:13.8

which got me thinking about the hierarchy of needs.

1:18.5

Yes.

1:19.3

Which to me, they all kind of are a way of looking at the emotional valence in different ways.

1:26.4

So I just wanted to kind of look at that, talk about the emotional valence in different ways. So I just wanted to kind of look at that, talk about the

1:30.8

emotional valence stuff, because we talked about math, you know, last time. And so transitioning

1:38.1

into how you think about these things and how it applies to story. I'm not really sure where to go, like where to start other than like each of those

1:47.8

things are a different way to look at the emotional, you know, drives of your characters.

1:54.9

And so, I mean, in the book, you start off with the Kubler-Ross change curve, so maybe we start

2:00.1

there.

2:00.8

Sure.

...

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