4.4 • 5.9K Ratings
🗓️ 12 February 2025
⏱️ 6 minutes
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In this episode of STBYM’s The Artifact, Robert discusses the Claude Glass, a black mirror for viewing landscapes during the 19th century…
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0:00.0 | Welcome to Stuff to Blow Your Mind, a production of IHeart Radio. |
0:07.0 | Hi, my name is Robert Lamb, and this is The Artifact, a short form series from Stuff to Blow Your Mind focusing on particular objects, ideas, and moments in time. |
0:20.0 | It's all too common. objects, ideas, and moments in time. |
0:30.2 | It's all too common these days to encounter people who choose to experience something of the world through the filter of technology. |
0:39.6 | Instead of experiencing a rock concert as a pure spectator, one might focus on an audio and or visual recording of the event that one is making. |
0:47.1 | Various sites and destinations become mere background for a selfie or a short form online video, |
0:53.6 | and we have probably all caught ourselves focusing not on the in-the-moment experience of a thing, |
1:02.0 | but either the media we hope to get out of it, or, and this is key to what we're discussing today, a media-based understanding of the experience. Now, I want to stress that I'm as guilty as anyone in my own ways when it comes to this. |
1:07.0 | When I really like a piece of art at a museum, I inevitably take notes and, if permitted, |
1:12.0 | photograph the work and the little information plate so I can refer back to it. But I sometimes |
1:17.0 | then have to remind myself to actually pause and take in the work, to experience it, and put |
1:23.0 | aside everything else for a moment. And inevitably, sometimes I forget to do that. I've also walked |
1:28.4 | ruins and imagined myself within a gothic horror film, that sort of thing. It's easy to think that |
1:34.6 | all of this is a product of media technology, and to assume that prior to smartphones, |
1:40.4 | cinema and photography, travelers and concert goers simply absorb the experience on a more honest open level. |
1:47.1 | I mean, there's probably still a case to be made for that to some degree, |
1:50.9 | but Claude Glass gives us a little added perspective to consider here. |
1:56.0 | I was turned on to this topic by, yes, a short form online video that my wife sent me via the National |
2:02.5 | Gallery London hosted by Joanna. She describes Claude Glass as a 1900s Instagram filter, |
2:09.6 | and that's pretty accurate. Instagram filters, of course, are a popular and sometimes |
2:14.4 | controversial innovation of the smartphone age, allowing any user to at least |
2:19.2 | roughly apply some semblance of higher photographic style and or technique. It's no replacement |
... |
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