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The Art of Photography

That Day :: The Photography of Laura Wilson

The Art of Photography

Ted Forbes

Diy, Art, Arts, Visual Arts, Image, Technology, Photography, Tv & Film, Culture, Tutorials, Gadgets, Photographers

4.5942 Ratings

🗓️ 9 February 2016

⏱️ 16 minutes

🧾️ Download transcript

Summary

Laura Wilson has had a photography career spanning over 40 years. She began as Richard Avedon’s research assistant on the In The American West series and currently has a solo show of her work at the Amon Carter Museum in Fort Worth. Books: That Day: Pictures in the American West http://amzn.to/1KDPhWs Avedon at Work: http://amzn.to/1KDPlFu Exhibition at the Amon Carter Museum http://www.cartermuseum.org/exhibitions/that-day-laura-wilson Twitter: http://twitter.com/tedforbes Instagram: http://instagram.com/tedforbes Facebook: https://www.facebook.com/aop.podcast Pinterest: http://pinterest.com/tedforbes Website: http://theartofphotography.tv And get on our mailing list to stay up to date on photography news and the latest episodes: http://theartofphotography.tv/about/mailing-list/ Ted Forbes The Art of Photography 3100 Main St #135 Dallas, Texas 75226 Thanks for watching - if you like this video, remember to share it with your friends! My name is Ted Forbes and I make videos about photography. I’ve been making photographs most of my life and I have a tremendously deep passion for photography that I want to share with you on YouTube. The Art of Photography is my channel and I produce photography videos to provide a 360 degree look into the world of making images. We all want to get better so lets do this together! I make videos covering famous photographers, photography techniques, composition, the history of photography and much more. I also have a strong community of photographers who watch the show and we frequently do social media challenges for photographers to submit their own work. I feature the best and most interesting on the show when we do these so come check it out and get involved!

Transcript

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0:00.0

In this video I want to take a look at the work of Laura Wilson and I believe that Laura is one of the finest American photographers working today.

0:07.0

She's had a very long 40 year plus career doing editorial work. She actually started her career as Richard Avidon's research assistant on his

0:14.5

in the American West series and went on to have her own success much later.

0:18.1

Laura has a wide range to what she does. Sometimes these images are beautiful, sometimes they're kind of whimsical,

0:24.3

have an element of surprise, and at other times they're downright violent and disturbing. And I think a lot of that speaks to the

0:30.4

range that Laura is able to work with.

0:32.6

And I'm actually going to reference two books today.

0:35.2

She has a book that she wrote about her time

0:37.3

with Richard Avodon called Avodon at work.

0:39.6

And we're going to talk less about this one today.

0:41.8

I want to do this when we get more into Richard Avodon later, but I do want to say, as with photo books, these things go out of print. This one, I believe, is no longer in print. And so if you want to order it, you can still find it, but now it's the time to do it.

0:53.4

The other book that I want to look at is the catalog from her current exhibition at the

0:57.3

Aiman Carter Museum, and this is called That Day.

1:00.3

So without further ado, let's go look at the work of Laura Wilson.

1:03.2

To give you a little bit of context for looking at Laura Wilson's work, I want to begin with

1:07.3

Richard Avodon.

1:08.3

She was Richard Avidon's research assistant on his In The American West project, which is a multi-year major project that he began in the late 70s.

1:16.0

And if you consider how Western art was typically portrayed,

1:20.0

if you go back and look at painters like Remington and Russell or even early photographers like Timothy of Sullivan,

1:26.0

typically what we see are these lush expansive landscapes that define the American West and they're largely devoid of people or population and there is a specific look even when you do have

1:35.8

portraits of people in them they're usually set in this vast landscape and what

1:41.0

Avodon did with his work was a complete divorce from that.

...

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