Spector Vision Radio

I would have been able to be conversant in the realm of black and white gothic horror

and then getting the message last night that I had to switch to something else

because, of course, you're black and white gothic horrid out, and you've done your Halloween episodes.

No, we're actually never black and white gothic out.

Yeah.

Any black and white got blacks you want to talk about is fine with me.

We can do both.

Well, no, I got the word he was going to do one thing.

I was like, oh, my God, that's amazing.

And then I got literally right after we had finished running through a list of, actually, I had finished editing an episode all about

black and white got the car. And I was like, wait a minute, what happened? So I don't know. We can do

both, Zander. We don't care. No, you know, it's there are no rules. He was an illustrator, a painter, and block prints.

But he became head of the art department for a publishing company to support the family when I was young.

And so, but he loved the theater and he loved film.

And I sort of credit my sort of uncirutus under the radar journey as an actor

to his sensibilities to a great extent.

I think we're always, if we admire our fathers, we want to please them.

And he, it was, I think it was an incredible period in, in the 70s, I was in

high school, that PBS, Channel 13 on the East Coast started airing all of these incredible films

on the weekends. And, you know, my father was a bit of a night owl and we lived in the

countryside in New Jersey and he didn't get into the city to see the films that he would have

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