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Breakpoint

"Technoshamanism": Why a Post-Christian Future Is Still Religious

Breakpoint

Colson Center

Christianity, News Commentary, News, Religion & Spirituality

4.83.1K Ratings

🗓️ 4 May 2023

⏱️ 5 minutes

🧾️ Download transcript

Summary

In the history of the world, the wholesale rejection of the supernatural is a quirk of Western secularism. 

For more resources to live like a Christian in this cultural moment, visit Colsoncenter.org

Transcript

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0:00.0

What on a breakpoint, a daily look at an ever-changing culture through the lens of unchanging

0:05.1

truth, for the Colson Center, I'm John Stone Street.

0:10.1

More than a few folks from theologian John Calvin, the philosopher William James, to French

0:14.6

theologian and historian Louis Auguste Sabatier, have noted that man is an incurably religious

0:21.6

creature, in other words, religions native to the human heart.

0:24.6

The best way to understand the rejection of the supernatural is as a quirk of Western

0:28.9

secularism.

0:29.9

One that ultimately cannot survive the human longing for transcendence and communion

0:34.4

with the supernatural, no matter how far our technology advances.

0:39.2

Evidence for this is currently on display, endorsement, Germany, and a bizarre art exhibition

0:43.8

called Technoschomenism.

0:45.7

It was recently highlighted in the New York Times, in an article titled Space Pagons and

0:49.8

Smartphone Witches, where tech meets mysticism.

0:53.4

Josie Thaddeus Jones describes this exhibition, which features the work of twelve artists

0:58.2

and collectives as an exploration of the, quote, connections between technology and

1:03.6

esoteric ancestral belief systems.

1:06.7

Visitors are welcomed by quotations from a French piece called Cyber Witches Manifesto,

1:12.2

which urges readers, among other things, to quote, use smartphones and tarot cards to

1:17.2

connect to spirits.

1:18.8

And manufacture, do it yourself, devices to listen to invisible worlds.

1:23.7

Sometimes identifies this exhibition as an example of the rising interest in pagan and

1:28.2

occult practices among the so-called spiritual but not religious westerners.

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