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We as photographers judge our work by evaluating the single image.

We assess it immediately on our cameras LCD or later on the computer screen.

We discern whether it's good or bad based on lighting and composition, color and sharpness, moment, and gesture.

If we believe that we've produced something exceptional, we may print it, add it to a portfolio, or simply share it on our social networks.

However, the impact and meaning of that image can be redefined, even transformed, when it's juxtaposed with another photograph.

Called a diphtick, it's an artwork that brings together two separate pieces, in this case photographs, to create a singular art piece.

The beauty and the meaning of that diphtick is derived by the

relationship between the two photographs. They may share similarities of color, shape, or gesture,

or the connective tissue may be something that's more nuanced, taking more time to understand

and discern. When done well, a diptic does more than just put two pretty pictures together. It challenges the viewer to delve deeper into what they're seeing and feeling when they look upon the photographs.

Nina Welch-Kling leverages the power of diphtics in her new book, Duologs.

The book showcases beautiful, surprising, and sometimes funny juxtapositions from her years

of photographs on the street.

It's a wonderful body of work that has inspired me to rethink how I assess and

judge my own photographs and my relationships to them. And I hope it does the same for you. This is

Ibario next and welcome back to the candid frame.

You got on my radar.

I actually didn't want to start off with a thank you,

because I got turned on to you.

I think about a year,

...