4.8 • 749 Ratings
🗓️ 5 December 2018
⏱️ 55 minutes
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0:00.0 | This is a buddy in X, and this is the candid frame. |
0:13.0 | Though I didn't realize it at the time, many of the interviews that I've recorded for you to wrap up |
0:22.1 | the 2018 season have something in common. In very unique ways, we meet photographers who go to |
0:31.2 | extraordinary lengths to create their work. We can often think of photography as a relatively simple thing. I mean, all you have to do |
0:41.0 | is press a button or tap a screen and you've got a picture. The people I'm talking about, |
0:47.6 | however, make commitments that go beyond the mechanics of just taking a picture. These are people who are committed to a vision, a story, or a purpose for their work. |
1:00.8 | When I interviewed photographer Jim Harrington 10 years ago, he had already begun his project, |
1:06.4 | The Climers. At the time, he had mentioned a personal project that he was working on, but we didn't include it in the discussion. |
1:15.4 | But the project, which spanned nearly two decades, was completed and images compiled in a beautiful and stunning book that was released last year. |
1:26.7 | His portraits of adventurers, who as climbers, were some of the |
1:30.0 | first to climb the world's highest and most treacherous peaks. These were the people who inspired |
1:36.3 | generations of sports climbers. Going back to climbers who established their reputation as far back |
1:43.3 | as the 20s, Jim has been on his own |
1:46.3 | track to create a body of work that at any point could have failed because of money, time, |
1:53.4 | logistics, and even mortality. But just like his subjects, Jim was able to achieve something |
2:00.3 | extraordinary and beat the odds. |
2:03.7 | Because he began this project before the age of the internet, he had to reach out to subjects |
2:09.0 | the old-fashioned way and hope that he would be able to connect with them and convince them |
2:14.1 | to be part of the project. You know, I'd get these little pieces of paper from someone with an address, |
2:21.3 | and I would write a handwritten note to Europe, |
2:24.3 | and maybe wait a month or two whenever I got a reply |
2:28.3 | that may come back in Italian, |
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