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The Treatment

Tamara Jenkins

The Treatment

KCRW

Arts

4.6639 Ratings

🗓️ 26 December 2007

⏱️ 29 minutes

🧾️ Download transcript

Summary

Elvis Mitchell hosts writer-director Tamara Jenkins (Slums of Beverly Hills) whose latest film is The Savages, starring Laura Linney and Philip Seymour Hoffman.

Transcript

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0:00.0

From KCRW in Santa Monica, this is The Treatment.

0:13.9

Welcome to The Treatment.

0:15.7

You can also hear the show at KCRW.com.

0:18.5

My guest, writer-director Tamara Jenkins, has a great way of blending comedy and drama,

0:23.3

so neither of them overwhelms the other.

0:25.5

She started that with her first film back in the 20th century, Slums of Beverly Hills.

0:30.2

She's chosen to revisit the world of filmmaking with a new film starring Philip Seymour Hoffman, The Savage's.

0:34.5

First of all, thanks for doing this.

0:35.8

Thank you.

0:37.0

First of all, I'll tell your audience a little bit what the movie's about. It's about a brother and sister,

0:41.6

played by Laura Linney and Philip Seymour Hoffman, their adult siblings. They have an

0:45.9

strange relationship with their father, and suddenly, because of a series of events, this father,

0:50.7

they become responsible for this, for this father, and he's an elderly, ailing person. And essentially

0:57.1

they... And their whole lives have been spent, sort of running away from their father, escaping their father, escaping that orbit.

1:01.9

Yes. And suddenly they're in a position of having to care for this guy that never cared for them, take care of him. And then there's all this sort of practical aspects to it.

1:12.7

You know, they put him in a nursing home, essentially, which on the surface doesn't sound like

1:18.1

there's anything funny in it at all. And yet there is. I know that, yeah, because the architecture of

1:23.9

it, if you just described the plot to somebody, two middle-aged siblings, dementia,

1:29.6

an old man, a nursing home. That does not sound like the ingredients of anything that would

1:34.0

ever be funny. I remember when the film played at Sundance, people were so shocked that somebody

1:38.1

would make a movie that sort of blends both these things together. Was that shocking to you

1:41.5

that people were so taken aback by me? Yeah, it's been interesting that kind of, that that question comes up at every Q&A, for instance, after a screening.

...

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