4.6 • 729 Ratings
🗓️ 30 June 2021
⏱️ 7 minutes
🧾️ Download transcript
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist, publisher, playwright, literary critic and editor.[2] Considered one of the 20th century's major poets, he is a central figure in English-language Modernist poetry.
-Bio via Wikipedia.
Hosted on Acast. See acast.com/privacy for more information.
Click on a timestamp to play from that location
| 0:00.0 | Welcome back to the Daily Poem. I'm David Kern, and today is Wednesday, June 30th, |
| 0:05.4 | 2021. Today's poem is by Thomas Stern's Elliott, aka T.S. Eliot, who lived from 1888 to |
| 0:14.3 | 1965 and is one of the most significant poets and artists of the 20th century. And he is responsible for numerous, |
| 0:24.5 | well-known, remarkable poems for an incredible influence on poets that came after him. |
| 0:31.5 | And today I'm going to actually read a poem that I didn't know terribly well, but when I ran |
| 0:35.6 | across it recently, I wanted to share it with you because I really enjoyed it. |
| 0:39.3 | It's kind of a poem that's up my alley, I suppose. It's called Cape Anne, and it goes like this. |
| 0:48.2 | Oh, quick, quick, quick, quick, hear the song, Sparrow, Swamp Sparrow, Fox Sparrow, Vesper Sparra at dawn and dusk. |
| 0:56.5 | Follow the dance of the goldfinch at noon. |
| 0:59.5 | Leave to chance the Blackburnian Warbler, the shy one. |
| 1:03.3 | Hail with shrill whistled the note of the quail, the bobwhite dodging by bay bush. |
| 1:09.2 | Follow the feet of the walker, the water thrush, follow the flight of the |
| 1:14.1 | dancing arrow, the purple martin. Greet in silence, the bull bat. All are delectable, |
| 1:22.3 | sweet, sweet, sweet, but resign this land at the end. |
| 1:30.6 | Resign it to its true owner. |
| 1:33.1 | The tough one. |
| 1:35.4 | The seagull. |
| 1:39.1 | The palaver is finished. |
| 1:48.1 | So Cape Ann was a place that T.S. Eliot actually had a house that he vacationed to. I believe there was an article in one of the big journals, The New Yorker or something, |
| 1:53.3 | maybe three or four years ago about his house there and how the place itself became kind of a |
| 2:00.2 | important inspiration for a lot of his work, |
| 2:05.6 | in particular the four quartets, if I'm not mistaken. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Goldberry Studios, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Goldberry Studios and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.