meta_pixel
Tapesearch Logo
Log in
/Film Daily

Sundance Day 1, Matt Smith Typecasting and WTF Is This Year's Academy Awards Going To Be Like?

/Film Daily

SlashFilm.com

Entertainment News, Film Interviews, News, Film Reviews, Tv Reviews, Tv & Film

4.6930 Ratings

🗓️ 25 January 2019

⏱️ 38 minutes

🧾️ Download transcript

Summary

On the January 25, 2019 episode of /Film Daily, /Film editor in chief Peter Sciretta is joined by /Film managing editor Jacob Hall and writer Hoai-Tran Bui to read some brief reader emails, talk about the latest film and tv news, and we’ll visit Ben Pearson, Brad Oman and Chris Evangelista in Park City Utah to hear about the first day of the 2019 Sundance Film Festival. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Opening Banter: Brad, Ben and Chris are at Sundance, and news has slowed down. On The Site: Jack Giroux’s Interview with ‘Destroyer’ Director Karyn Kusama on Showing a New Side of Los Angeles and Nicole Kidman Rob Hunter’s The Best Movies Set in Boys Schools That You’ve Never Seen Britt Hayes’ Hidden Streams: A Crazy Slasher Movie, Underrated Martin Scorsese, and One of the Best Film Noirs Ever Made In The Mail Bag: Teal from Irvine, CA writes in to say that “A few weeks ago one of you mentioned a card game about pitching movie ideas to studio execs, and other players could stop mid-pitch and throw in a curve ball. I feel like this may have been what happened with Serenity. It started off as a pitch for a traditional pulpy thriller, and mid-way was promoted to include the whole [removed for spoilers], and instead of being treated as a joke everyone took it seriously.” Elissa F writes in to respond to Peter’s Best Picture comment about producers receiving the award instead of the director: “Huge fan of the podcast! Wanted to speak to something that was mentioned a few days ago when the Academy Award nominations were announced and many of you were wondering why producers and not directors were given the award for best picture. I think it is a common misconception that producers are only dealing with the financial aspects of a film when in many cases, producers can be a large part, if not the largest part of the creative process behind a film. Many times producers work on projects for years before a director comes on board. And once a director is in place, the producer still has a lot of say and control over how a film is made. Of course there are times when a director is the true visionary of the film and had developed the project initially. But in most of those cases you will find that the director is often also a producer. In any event, before a film is made, if there is even a minute chance that there may be awards consideration for a project, the credits are very heavily negotiated so that there are no disputes as to who should receive the award. I know this process well so wanted to give you my two cents! Love the show!! I listen every day!” In The News: Jacob: Spider-Man Spin-Off ‘Morbius’ Adds Former ‘Doctor Who’ Star Matt Smith HT: Ron Howard’s Next Movie ‘Hillbilly Elegy’ Gets Picked Up By Netflix in $45 Million Deal Jacob: Only Two Oscar-Nominated Songs Will Be Performed at This Year’s Academy Awards HT: ‘Wonder Woman 3’ Could End a Trilogy for Director Patty Jenkins Jacob: ‘Resident Evil’ TV Series in the Works at Netflix – Will It Actually Feel Like the Games This Time? Sundance Coverage: How was Chris’ flight to Utah? Brad: ‘Memory: The Origins of Alien’ Review: A Fascinating, Uneven Deep Dive Into the Sci-Fi Classic [Sundance] After the Wedding’ Review: Michelle Williams and Julianne Moore Disappoint in Messy Melodrama [Sundance] Native Son Festival Buzz: Apollo 11 All the other stuff you need to know: You can find more about all the stories we mentioned on today’s show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@s Our Sponsors: * Check out Express VPN: expressvpn.com/SLASHFILM Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Transcript

Click on a timestamp to play from that location

0:00.0

AI might be the most important innovation ever.

0:03.0

It's storming every industry with literally billions being invested.

0:07.0

So buckle up.

0:08.0

The problem is that AI needs the right data and a lot of speed and processing power.

0:12.0

So how do you compete without costs

0:13.9

spiraling out of control? Time to upgrade to the next generation of the

0:18.0

cloud. Oracle Cloud Infrastructure or OCI.

0:21.0

OCI is a single platform for your infrastructure, database and application

0:25.2

development with AI embedded across it all.

0:28.1

And Oracle Sovereign Cloud helps you address your requirements for location, access and data

0:32.2

residency.

0:33.2

OCI provides blazing fast speeds for AI's demanding workloads

0:37.1

and in the cloud when you pay by the minute, speed matters.

0:40.4

And of course, nobody does data better than Oracle.

0:44.0

If you want OCI to help you do more and spend less, like Uber, the Premier League and

0:48.2

Oracle Redball Racing, take a free test drive at Oracle.com

0:51.4

com slash bandwidth. That's Oracle.

0:54.0

dot com slash bandwidth.

0:55.0

Oracle.com slash bandwidth.

0:57.0

Hello everyone and welcome to slash film daily for Friday, January 25th, 2019.

1:02.0

On today's episode we're going to read a couple brief reader

1:04.6

emails in the mailbag. We're going to discuss the latest film and TV news and

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from SlashFilm.com, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of SlashFilm.com and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.