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Into America

Street Disciples: Broken Glass Everywhere

Into America

MSNBC

Documentary, Blm, History, Social, George Floyd, Msnbc, Health, Breonna Taylor, Black Lives Matter, Covid-19, Ahmaud Arbery, Nbc News, News Commentary, Justice, Politics, Society, Government, Policy, Cultural, Culture, News, Society & Culture

4.63.4K Ratings

🗓️ 9 February 2023

⏱️ 55 minutes

🧾️ Download transcript

Summary

In part two of “Street Disciples,” how 1982’s “The Message” pushed hip-hop to get political and fight the power. And the growth of the culture through fashion, dance, and graffiti.

Transcript

Click on a timestamp to play from that location

0:00.0

Hip hop started as party music and amalgamation of the liveest parts of folk and soul breakbeats.

0:21.1

The sounds were upbeat, something to dance to, whether you were on the block, in the club

0:26.8

or in the crib. Hip hop was a celebration, an exercise in escapism and aspiration. It was

0:35.2

enthusiastic and electric, elevating the ordinary to extraordinary. But in those early days, the music

0:43.5

wasn't truly reflecting the wholeness of life as it was being lived by most of the people who

0:50.4

were creating it, and certainly not the life of those who were listening to it. Not in a place

0:55.9

like the gritty, hungry South Bronx where hip hop was born. And if the decade that birthed hip hop

1:02.3

came to a close, those contradictions between blissful burgeoning hip hop and blistering reality

1:09.7

were growing more stark. It was parts of the Bronx where literally it was four square blocks,

1:16.9

and if you didn't know better, if you didn't know what was going on, you would think that it was

1:21.1

a war zone. You would think that you and the Ukraine or something like somebody, it literally

1:24.6

looked like somebody dropped a bomb in certain areas in the Bronx. Gang activity all over the place,

1:31.6

drugs all over the place. Homeless people heating themselves with fire bins and just no city lights.

1:39.8

I mean, it's just astonishing what was allowed to happen. There was no real nurturing from outside

1:47.0

entities to kind of fix us every once in a while. Somebody came there to take a picture. You know,

1:52.8

I remember when Reagan came to the Bronx with these were photo ops, right?

2:06.4

By the time California's right wing governor, Ronald Reagan came to the South Bronx when a

2:12.4

presidential campaign stopped in 1980 using the backdrop of rubble as a dig at the incumbent

2:18.8

Democratic president, Jimmy Carter, the desperate pleas of the people there, rung loud and clear.

2:39.3

After decades of right flight, disinvestment, fires, and abject neglect, the South Bronx was at a

2:46.8

breaking point. Then in 1982, one song took the realities of life broken by the system and put it to

2:56.0

music. It started with a new sound. The beat is slowed down but still kind of funky, still electric,

...

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