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Cultivated: A podcast about faith and work

Steve Taylor

Cultivated: A podcast about faith and work

Cultivated Podcast

Religion & Spirituality, Arts

4.7657 Ratings

🗓️ 15 August 2017

⏱️ 39 minutes

🧾️ Download transcript

Summary

Steve Taylor is a musician, a record producer, and a filmmaker. Over the years he's courted controversy with songs like "I Blew Up the Clinic Real Good" and "I Manipulate" – songs that criticize Christian culture from within. He's also produced great records for The Newsboys, Sixpence None The Richer, Chevelle, and more. He's the writer director of Second Chance and Blue Like Jazz, and recently returned to making music after a twenty year hiatus. On our show, we talk about his journey as an artist, about the controversies he weathered, about the kickstarter that funded Blue LIke Jazz, and much, much more. This episode was produced by Mike Cosper It was edited by TJ Hester and Mike Cosper It was mixed by Mark Owens Our music today is by Steve Taylor Our Theme Song is by Roman Candle Special Thanks to Dan Darling and Jason Thacker Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

This episode is brought to you in part by The Apologetics Guy Show, the podcast that helps you find clear answers to tough questions about Christianity.

0:11.1

Learn to explain your faith with courage and compassion.

0:14.5

Join Moody Bible Institute professor Dr. Mikhail del Rosario at Ap apologetics guy.com.

0:30.2

Hey, Cultivated Listeners, we're back.

0:37.1

And on the first episode of our new season,

0:40.3

I'm sitting down with one of my favorite artists, Steve Taylor. My barbed! My barber in Boulder

0:59.0

was always asking me about what was going on

1:02.0

and, you know, was interested in what I was doing

1:05.0

and I told him I've been reporting some songs.

1:06.0

I said, well, that sounds interesting.

1:08.0

I got a friend who, you know, just moved out here from LA

1:10.0

who was a big deal in the music business. Can I play him a tape? And yeah. So I gave him the tape. He gave it to his friend. His friend was like, oh, this is really good. And I think he'd been ahead of like Warner Brothers publishing or something. So he set up these meetings for me to go out to L.A. and meet with like Arreston, Warner Brothers, and different labels like that. So I took the

1:28.7

tape out, had the meetings, and the reaction was almost, and I think all three meetings was almost

1:34.4

always the same. It's like, this music is interesting, you know, because like a kind of a punk,

1:39.2

new wave hybrid that sounded good, sounded fresh, but, well, these lyrics, they're like kind of

1:45.6

Christian, but kind of satirical, like, we like your music, but I think your lyrics would offend

1:50.2

our audience. So I thought, well, if it's the Christian content, then I just need to go talk to

1:56.0

some Christian labels. And I played it for a word and sparrow. That's another one. And their reaction was,

2:02.1

we don't like your music. And your lyrics would offend our listeners. And so that kind of defined

2:08.9

my career for the next few decades. There's a pine wall for sitting on a holland. He seems to

2:17.2

have the whole morning out right in front of him

2:20.5

and everything he sings from the branch that he's sitting on.

...

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