4.8 • 676 Ratings
🗓️ 15 February 2019
⏱️ 116 minutes
🧾️ Download transcript
We've been getting requests for Stand By Me since this podcast launched and it's easy to see why. This is a film that seems tailor made for the premise of this show.
One of the benefits to holding off on it for this long is that we've already covered so many of the other "kids on an adventure" movies from this era and now we can really highlight what sets this one apart.
So grab your gear and follow us down the tracks. Don't worry, we brought the comb.
Topics include: realizing that Stephen King didn't just write horror stories, differences between this and his original novella, the tragedy of River Phoenix, why Teddy was the most difficult character to cast, how this becomes a completely different film the older you get, the very different version of this that almost materialized before director Rob Reiner got involved, and much more!
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0:00.0 | Hey, do you remember Stand By Me? |
0:06.7 | Hello and welcome Hey, do you remember Hey Do You Remember, a show where we reminisce about a movie or TV series we grew up with, then take off the rose-tinted glasses to see how it holds up. |
0:32.0 | I'm Chris. |
0:32.8 | I'm Donna. |
0:33.5 | And I'm Carlos. |
0:34.4 | And today we're revisiting Stand By Me. |
0:53.1 | Thank you. And I'm Carlos. And today we're revisiting Stand By Me. For a long time, Stand By Me was Stephen King's favorite adaptation of one of his stories. |
0:58.7 | It also set the stage for the next phase of director Rob Reiner's career and turned its four young leads into movie stars. |
1:05.5 | It also, very nearly, didn't happen. |
1:08.4 | Days before filming was scheduled to begin, Embassy, the production company |
1:12.0 | Bankrolling the movie, was bought out by Columbia Pictures, and they decided they weren't interested |
1:16.8 | in the project and shut the whole thing down. But one of Embassy's co-owners was Norman Lear, |
1:22.0 | the legendary television writer and producer who had worked with Reiner on All in the Family. |
1:26.7 | And he had such faith in the film and |
1:28.6 | in Reiner in his cast that he paid for everything out of his own pocket. That still left them |
1:34.4 | without a distributor, though. So even when Stand By Me was completed, they had no way of releasing it. |
1:39.7 | And no studio wanted to touch it. The period setting, the lack of a love interest, or women in general, |
1:46.2 | they just didn't really understand who this was for or how to sell it. Fortunately, one studio |
1:51.2 | had screened the film with his daughters, and their reaction to it, and specifically to River |
1:55.9 | Phoenix, convinced him to buy it. That studio? Columbia Pictures. Stand by Me did not have a gigantic opening. |
2:04.2 | It also didn't have the widespread critical acclaim it does now, but it did perform steadily |
2:09.1 | week after week after week. Its reputation and its audience continued to grow not only during |
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