4.8 • 686 Ratings
🗓️ 19 September 2024
⏱️ 64 minutes
🧾️ Download transcript
Click on a timestamp to play from that location
0:00.0 | Hold your ears, folks. It's showtime. |
0:08.6 | People pay good money to see this movie. |
0:10.9 | When they go out to a theater, they want cold sodas, hot popcorn, and no monsters in the projection booth. |
0:17.3 | Everyone pretend podcasting isn't boring. |
0:20.2 | Shut it off. Turn it off. |
0:22.6 | Turn it off. |
0:26.6 | That's what's so interesting about monsters. |
0:45.3 | Most monsters are victims. How do you do? I'm Christopher Lee. |
1:03.0 | Toll, handsome, arrogant, imperious, powerful. |
1:13.6 | Ooh, he must be scary to meet. |
1:16.8 | He went from tiny parts in Swashbuckler movies in the early 50s |
1:21.7 | to working with George Lucas and working with Peter Jackson, |
1:24.6 | the most respected directors in the world. |
1:26.9 | You put that in perspective with his wartime experiences, and so what? |
1:34.4 | It was very intense. |
1:37.0 | It marked him. |
1:39.4 | There is some mystery attached to his work during the war and immediately after him. |
1:45.0 | He was involved with a lot of sabotage and targeted assassinations, which of course the British government doesn't know anything about. |
1:53.0 | The British film industry was at its zenith, particularly after the war. |
1:58.0 | There was a great hunger to create new stars. |
2:06.6 | Everyone that will always remember him as Dracula. |
2:11.6 | Great things were expected of him and here he was playing monsters. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from The Projection Booth, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of The Projection Booth and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.