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The Projection Booth Podcast

Special Report: Jackson Cooper on AGFA

The Projection Booth Podcast

The Projection Booth

Film Reviews, Film Interviews, Film History, Tv & Film

4.8686 Ratings

🗓️ 29 October 2024

⏱️ 32 minutes

🧾️ Download transcript

Summary

Get ready for a wild deep dive into the world of cult cinema preservation! Mike sits down with Jackson Cooper to uncover the incredible work of the American Genre Film Archive (AGFA). From rescuing the rarest of grindhouse gems to giving life to lost horror, sci-fi, and action films, AGFA is on a mission to save the strange and spectacular corners of film history. Together, they explore how this non-profit powerhouse preserves, restores, and redistributes the films that defy genre and have captivated die-hard fans for decades.

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Transcript

Click on a timestamp to play from that location

0:00.0

Hold your ears, folks. It's showtime.

0:08.6

People pay good money to see this movie.

0:10.9

When they go out to a theater, they want cold sodas, hot popcorn, and no monsters in the projection booth.

0:17.3

Everyone pretend podcasting isn't boring.

0:20.1

Shut it off.

0:25.4

Turn it off.

0:26.6

Turn it off.

0:27.6

Oh! The Chinko! Chink! Hey, folks, welcome to a special episode of the projection booth.

1:28.4

I'm your host, Mike White.

1:31.0

On this episode, I'm talking with Jackson Cooper.

1:33.3

He is the executive director of Agfa,

1:36.2

then it's the American Genre Film Archive.

1:40.4

If you are a film fan, I am sure you are very familiar with a lot of their titles.

1:46.1

They had quite a few playing at the Fantastic Fest in Austin this year, sat down with Jackson while he was down at the festival, talked a little bit about Agfa, what they've done and what

1:51.6

they're going to do. Got some exciting news ahead. Thank you so much for listening, and I hope you

1:56.7

enjoyed the interview. Jackson Cooper, tell me a little bit more about yourself before you mentioned that you were a theater kid, and it looks like you've been involved in the theater

2:03.8

for a long time. Quite a while. I would say film, specifically genre cinema, horror movies,

2:11.5

and such. I was a kid discovering musicals with watching The Nightmare Before Christmas when I was four years old and just

2:19.2

completely falling in love with this Gothic imagery and this sort of really scary but

2:25.7

lovable characters and having some pretty kick-ass songs by Danny Elfman. So that's truly

2:32.3

where it started. And so throughout my entire career,

2:35.3

it was always like working in the arts

...

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