Hold your ears, folks.

It's showtime.

People pay good money to see this movie.

When they go out to a theater, they want cold sodas, hot popcorn, and no monsters in the projection booth.

Everyone pretend podcasting isn't boring.

Shut it off.

Turn it off.

Turn it off.

Hey folks. Welcome to a special episode of the projection booth. I'm your host, Mike White.

On this episode, I'm talking with producer Adam Leipzig, all about his career. Well,

highlights from it because he's had one heck of a career and he's still going strong.

It was great talking with him and I hope that you enjoyed this interview.

How did you start in the business?

You've had such an incredible career.

I've always wanted to do something for audiences from my earliest recollection.

I started wanting to be in theater and then actually was in theater. After I left college, I became part of the company that was then called the

Los Angeles Actress Theater, now known as the Los Angeles Theater Center. I was one of the

people who built the Los Angeles Theater Center and had a great seven-year run. In theater, I produced more than 300 plays, shows, music events, poetry events, dance events, performance art events. Back at the time when performance art was a thing called performance art. And at a certain point,

I just wanted to work for larger audiences. So in effect, I walked across the street into movie

studio land, landed a job at Disney Studios, and thereby hangs a tale. Tell me about your

involvement with the Olympics.

I was reading a little bit about that.

...