4.6 âą 1.1K Ratings
đïž 12 October 2023
â±ïž 60 minutes
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We meet artist Sophie von Hellermann (b. 1975, Munich) at her studio in Margate, as she creates her new paintings for her solo booth at Pilar Corrias Gallery for her Frieze London 2023's solo booth. It's an epic installation including a giant hand-painted mural alongside a new series of Margate-themed paintings.
Pilar Corrias is delighted to showcase a solo presentation of work by Sophie von Hellermann at this year's Frieze London. Dreamland, Margateâs iconic funfair, is the inspiration behind a new body of work, featuring carousels, Ferris wheels and soothsayers. Opening in 1870 as a âpleasure gardenâ set within the coastal resort of Margate, where the artist lives and works, Dreamland has become a symbol of classic British seaside culture: bawdy revelry, tongue-in-cheek humour, decaying grandeur and sepia-tinted sentimentality.
Bringing the funfair to the art fair, von Hellermann builds a carnival populated by a menagerie of characters from literature and popular culture: bathers frolic, seagulls swoop across swirling, Turner-esque skies, and lovers embrace in shadowy corners of the Victorian seafront shelter where TS Eliot wrote his classic work, The Waste Land (1922). Unburdened by the gravities of everyday life, Dreamlandâs thrill-seekers begin to sprout wings, or career off into new phantasmic landscapes. In one painting, a group ride tiny cups down an eerie, rainbow-hued river; elsewhere a visitor to a house of mirrors dances and flirts with his own reflections.
As in Jean-HonorĂ© Fragonardâs The Swing (1767â8), a painting that epitomises the playfulness and joie de vivre of its era, von Hellermann deliberately reclaims a host of clichĂ©s associated with pleasure, frivolity and a temporary loss of control. In her rapidly executed tableaux, von Hellermann fuses the trivial and the grandiose, playing with traditional rules of seriousness and propriety in painting.
Sophie von Hellermannâs paintings recall the look of fables, legends, and traditional stories that are imbued with the workings of her subconscious rather than the content of existing images. Her romantic, pastel-washed canvases are often installed to suggest complex narrative threads. Von Hellermann applies pure pigment directly onto unprimed canvas, her use of broad-brushed washes imbues a sense of weightlessness to her pictures. Von Hellermannâs paintings draw upon current affairs as often and as fluidly as they borrow from the imagery of classical mythology and literature to create expansive imaginary places. In subject matter and style, von Hellermann tests imagination against reality.
Sophie von Hellermann (b. 1975, Munich) received her BFA from Kunstakademie, DĂŒsseldorf and an MFA from Royal College of Art, London. She lives and works in London and Margate, United Kingdom.
Follow @SophieVonHellermann and @PilarCorrias
View the works: https://www.pilarcorrias.com/art-fairs/22-frieze-london-2023-sophie-von-hellermann-dreamland/
and visit Frieze London until Sunday 15th October. Sophie's solo is located at Booth A23.
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| 0:00.0 | Good afternoon, good morning, good evening, whatever you are in the world, I am Russell Tovy. |
| 0:08.1 | And I'm Robert. I am then. And this is Talkar. Welcome to Talkar. How are you today, Robert? |
| 0:12.8 | Today, Russell, I am feeling dreamy, like I'm in a fable. A fable? Yeah, or a dreamscape that could |
| 0:22.7 | actually be real life and refer to real life, but somehow just feels magical in otherworldly. |
| 0:29.2 | And today, we are here to meet a dear friend of both of us, someone that actually I've |
| 0:34.1 | grown much closer to since living in Margate, but I knew when she was living in London, |
| 0:39.6 | back in the days when I first started working with Karl Friedman. And we were introduced even |
| 0:43.3 | before that, actually, through Anne Hardy, the photographer, because she went for me to a book |
| 0:48.7 | launch of yours, which was amazing. And got a book with a drawing of me, I think, on the cover. |
| 0:55.4 | And it was a book that had a blank front cover. And then the artist would draw in a pen, |
| 1:00.7 | like an image. So it was a very unusual thing. And I remember being like, that's such an |
| 1:04.4 | inventive idea, like having a book with a blank cover that you create the front cover, and it's |
| 1:08.3 | unique every time. And I found the book the other day in my bookcase. And the maddest thing has |
| 1:13.6 | happened, the image has totally disappeared. And I think it must be, no, no, but I thought it was |
| 1:18.2 | quite a beautiful thing in a weird way. And it kind of made me think about your work a lot, |
| 1:21.8 | because it was this original image that was on a blank page. And then now it's disappeared. |
| 1:26.3 | And it's kind of like dreamlike, like, was it ever there? But it was there. And I think it's |
| 1:30.8 | something about the cycle of life. There's something quite elegant and poetic in it, you know, |
| 1:34.3 | in a way, like the now disappearing image. And you can just about see it on the front cover. |
| 1:39.6 | And I love today's guest work so much. And the reason we've connected through Margates, |
| 1:44.4 | because they've been based here longer than I have, maybe five, six years longer than I was. |
| 1:48.8 | And they were the kind of her and her partner with the first people that moved here in this kind |
... |
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