Might not become a kid movie classic but it makes up for a great little getaway to enjoy

the suit on me in Japan and I think he's so good on the small hall and drive is very good and of course Tim Rath I love because it's a

Tarantino the connection there with reservoir dogs and hateful eight he plays the father he's a little bit more suspicious of his son is okay what why is the teacher going after you and the kid is saying Calvin Harrison

saying listen she's got a vendetta against me know she thinks that I'm like this perfect kid I'm not but just leave me alone like she's searching for something that's not there and ultimately

becomes a really strong morality play about the danger putting expectations upon people and how that can be deleterious to them when you expect them to be a certain way to behave a certain way because

everybody has flaws everybody has issues but that doesn't mean that you should demonize them either you can have to take them at face value and it just shows you know the dangerous

deri typing within all elements and it was interesting within this you know racial milieu it's it's you know black upon black that is the one that is causing the

racial disharmony you know it's not what's a Roth their bystanders to try to figure all this out the truncate their son side or or figure the teachers right but it's a

TV a Spencer her own beliefs and what she comes from in her background that's you know in in in parting the situation it's affecting all of it so I really like

loose I thought it was an interesting movie like I said it's a really independent movie that obviously did well the Indy circuit it's from

Julius Onas is the director also co-wrote it with JC Lee check it out if you're fan of that kind of subject matter loose one thing I will say

Joe terrible title I mean when I saw it's L.U.C.E. and I go okay it's lucha because of course my time side coming out and I'm like what

why I mean they kind of get a better title in that because if I just see that I go okay lucha what the hell's out of that like that I mean I don't

know I guess you can argue all Thalow is in the best title ever and that's one of the great plays of all time so maybe you

could have a unique studying first name but I don't know I don't think loose was the best name for Johnny Oleski Olesinski I always

screw that name up New York Post one of the thirtiest high school films you're likely to see a loose is about simmering racial

tensions and a suburb how fake smiles can cause them to boil over Michael O'Sullivan and the Washington Post based on a

play by JC Lee who adapted his own script here with director Julius Onas loose has a staging is that feels it might

work better in the confines of live theater I disagree with Michael on that one I actually thought it was well adapted I didn't

feel like it was a plan to laugh or this I was a play Joe Morgan's turn of Wall Street Journal the narrative framed

as a psychological mystery labors and are more layers of significance that it can handle the falling into contrivance and

augmentation still the dramatic core is strong what I like to punch your ending I'll give Joe that I thought the ending was

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