SLAY Episode 16: The Trifecta
Scott Sigler Slices
Empty Set Entertainment
4.8 • 1.3K Ratings
🗓️ 16 April 2023
⏱️ 28 minutes
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Summary
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| 0:00.0 | The story is intended for mature audiences only, listener discretion is advised. |
| 0:22.3 | Hello junkies, we are now into the new writing format of this grand experiment known as |
| 0:28.4 | Slay. Last episode, which is episode 15, this one, which is episode 16, and on I am writing in |
| 0:34.9 | roughly 10 minute blocks, so there is a natural end to each story segment. We put the |
| 0:41.5 | Shormi sound at the end of that segment, then an ad gets inserted when you download this, |
| 0:46.1 | then the Shormi sound again, and then you hear the rest of the story. So what I'm doing now is |
| 0:51.2 | just like how they write in commercial breaks for TV shows, kind of a natural pause in the story, |
| 0:56.5 | dump a commercial in there, we get back to it. Hopefully this makes the ads you'll be hearing |
| 1:00.9 | in Slay, and in all my future podcast work, feel a lot more natural without the jarring |
| 1:06.0 | interruptions. You sometimes heard in Slay episodes one through 14. A heads up that we now have a |
| 1:11.6 | tentative release date for ShakeDown, book one of the Cripp series. It should be out October |
| 1:17.5 | 2nd, 2023, as an ebook, as an audiobook narrated by the Amazing Ray Porter, and as a hardcover. That's |
| 1:25.7 | right, we're getting hard again. Who did I say that I love? Sorry. We should be about halfway |
| 1:32.1 | through the Slay story right now. As you know, I write these episodes every week, record them |
| 1:36.7 | every week. The story is starting to get a little top heavy with so many elements, and my vision |
| 1:41.5 | for House Season 1 was going to has gotten away from me because of all the cool stuff that has |
| 1:46.8 | popped up while writing. This experience for me is just like writing the first draft of Nocturnal |
| 1:52.4 | Way back in the day, which I also wrote every week and recorded every week. So to try and fix |
| 1:58.8 | this issue for Slay, because we want to finish Slay at about 80, 90, 100,000 words, not have it be a |
| 2:04.0 | big 250,000 word book like Mount Fitzroy. So to try and fix the issue of crafting everything toward |
| 2:11.4 | a natural and for season one, I am bringing in my screenwriting partner Rob Otto. We will see if |
| 2:16.9 | Rob can help me take the story I have now and guide it to that satisfying and for season one. |
... |
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