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Skeptoid

Skeptoid #222: Toil and Trouble: The Curse of Macbeth

Skeptoid

Brian Dunning

Conspiracy Theories, Paranormal, History, Urban Legends, Science, Skeptic, Social Sciences, Skepticism

4.63K Ratings

🗓️ 7 September 2010

⏱️ 15 minutes

🧾️ Download transcript

Summary

The Curse of Macbeth should make Shakespeare's play too dangerous to perform, but science tells us for sure.

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Transcript

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0:00.0

One of the enduring myths of the stage is that a curse hovers over productions of Shakespeare's

0:09.4

Macbeth. It's too dangerous to perform. There will always be all kinds of unexplainable

0:15.5

accidents and injuries and problems. Is it true? Today, we're going to find out once

0:21.7

and for all whether a proper statistical analysis will give us a final verdict on the reality

0:28.2

of the curse. That's coming up next on Skeptoid.

0:32.5

Hey everyone, Brian here. A quick favor. We're conducting an audience survey. We'd be really

0:44.6

grateful if you could take just a few minutes and answer our survey. This is the kind of

0:48.8

thing that's sort of an engineering and marketing necessity to make the whole free podcast

0:53.6

ecosystem flourish. So please check it out. Also, surveys are fun. You get to talk about

0:59.0

yourself. Please visit survey.prx.org slash Skeptoid to take the survey today. That's

1:07.7

survey.prx.org slash SKEPTOID. Thanks.

1:21.1

To our listening to Skeptoid, I'm Brian Dunning from Skeptoid.com. Toil and trouble,

1:28.3

the curse of Macbeth. They simply call it the Scottish play because even to utter the

1:34.2

title of Shakespeare's Macbeth is to invite bad luck. The very same bad luck in fact that

1:40.7

has plagued performances throughout its history according to theater lore. From tragedies

1:46.8

on stage to deaths and riots surrounding performances, the curse of Macbeth is one

1:52.2

of the most enduring superstitions of the stage and seems to be taken quite seriously.

1:59.6

The basic claim is that performing Macbeth or even speaking its title in a theater invokes

2:05.5

an ancient curse as old as the play. This curse strikes actors or other people associated

2:11.4

with the performance, sometimes killing or maiming them. This curse, so goes the tale,

2:17.8

has its roots in the play's occult storyline of witchcraft, murder and ghosts. The most

2:23.5

often cited reason for the curse is a belief at the time that Shakespeare had used real

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