There's no place to escape to. This is the last talk on the left side stories.

That's one of the cannonball some started.

Side stories. Yes.

Hey, I'm let me practice red in town, right? Ren New York City for the week. Let me

practice before we go. Hello, I am walking here. Hello, no, I'm hey, I'm walking here.

Hello, sir. You can you hear me inside of your car? I'm walking here. Okay. All right.

Now beat me. Hong, Hong. Move. Move. Is that work? Oh, no, I forgot. The script.

Sir, in your Dotson, I am walking here. So I will stand strong amongst myself and now slowly

walk across the crosswalk as I stare you dead in the eyes, which I do. I do. That's a New

York move. You have to do it. You have to make sure you saunter. I know. And you'll be

like, is it green yet? Showtime, baby. That's when you get to present. You never know who's

in the car. You never know if it's a big Hollywood producer. Well, you see my picture.

Tuckess. You don't know because to me, they're like, is that a Polish model? Like, who

needed a tiny butt? 38 year old for this ad campaign. But no, I remember the, because I

do the same walk that I do, because I do the same exact joke to anybody who I'm around

when they do the thing on when you're supposed to go on the plane and they make the announcement

anybody who needs more time to get down the aisle. You can work now. And I always go,

what if I walk like a robot? What if I'm a robot? Oh, right. Welcome to Side Story.

Is everyone bent kiss a little hanging out with Henry Soprowski. Strangely channeling

holding MacNeely. I don't understand. I go tiny little cowgirl. You can see it in

the picture. I can see it. I go like, Oh, it's going to take me a long time to get

I'm shooting my gun. I'm going to take me a long time to get down. Move. Now they don't

...