Welcome to Pablo Torre finds out. I am Pablo Torre, and today we're going to find out what this sound is.

By the way, Pablo, you're going to be fucking getting me in trouble with the entire universe because I can't fucking help myself.

Right after this ad.

This is quite zippy.

I've got such a shit studio because we only first started, you know, having this good sense to do it on YouTube recently, and it's really primitive.

I don't think the New Yorker would approve of the color scheme here.

I love it.

By the way, the other thing, David, like, you asked why, what we're doing, you already

know what we're doing, but I basically said yes, if there were someone that I would be

interested in doing this with and would give me necessary cover because he's a pain in the

fucking ass. And so I'm like, if there's a real journalist who still, like, does things, and I'm like, okay. The journalist and conscience of my show has arrived to degrade me and to approve of David Remnick. Well, I think that's called being off to a good start. Yeah. Could you introduce David for those who are not familiar with David as right? I'll have you, David, do the same and take the burden off of me as the host.

David Remnick,

his eminence, is the

editor-in-chief of

the New Yorker magazine, one of

the crown jewels of American

media, who

I will also say is one of the

clearest writers of prose we have in American letters.

Thank you. Tony Cornheiser says something about you, by the way, that I want to share. This I got to hear. He says, we don't do Ezra? Well, we'll do Ezra in a second. Oh, I'm fine with that. We'll do Ezra in a second. Cornheiser says about you, David, that you're the only person he knows who has gotten smarter

as he got older.

Tony's gotten dumber?

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