T-Bob is with us here.

We'll get to singing in just a second. We'll get to Mikey. He's on-air mistake in just a second. Taylor has an idea, I think, that might say baseball. And we have just a terrible speech from Eric Judge. Plus weekend observations with T-Bob. So we have a lot to get in here. Fuck, yes, dude. But we were discussing, by the way, I miss you. And I miss those studios. I do.

I miss it.

Taylor,

you miss those studios?

Or we'll, Lots of Go. Oh, fuck. Yes, dude. But we were discussing, by the way, I miss you and I miss those studios.

I do.

I miss it.

Taylor,

you miss those studios or what?

Of course. I know, Taylor. Taylor definitely was loving the, I mean, it's Big Cats Fantasy Factory. Like, you all saw it firsthand. Like the same way that Rob Deereyck got so successful and it was like, oh, I can just make my reality like, I can just shape my reality however I want. This entire building is Big Cats Fantasy Factory. It's fucking awesome. Yeah, I remember asking PFT what it was like to work there. And he's like blank canvas every day. Just fill it in. Just walk into the place and fill in the canvas. Yeah. Yeah. Stu did give me some very good professional advice that I've been trying to follow and trying to, because we were talking, it's like, the podcasts are fun. Like this is my,

this is where I feel most comfortable radio's fun in terms of like

it's kind of intimate with the audience more conversational you're you know you're you're you're

forming these connections it's it's easier to be i think like funny and entertaining and then tv is

so like tight and and and and produced and like rigid yeah it's it's it's got a rigidity to it that i'm still really trying

to figure out but stew gave me some great advice he was just talking about how look man uh uh

every minute is precious out there and you have all this real estate with which to play so take

advantage of it and we're trying to i want you know i took that advice to heart. We got ideas. We've done some things. And I'm trying to instill this

idea in the crew of like, look, it may feel cringy. It may fucking suck. But we can't let

the fear of that stop us from at least trying to evolve and do some things that we want to try to do. Right. Because you have this national hour or two hours on TV that people would die for. They would. You know our industry, right? I was just telling you like, hey, to have the five of us sit around, that's not the best use of the time. Like every minute matters, make better use of it. That's all. That's all I was saying. I know. And you were right. Listen, the show was wonderful and I enjoyed it because I don't want to do much. I want to stroll in, sit down and just talk to and make a couple of jokes and get the fuck out of there. Well, I know, but like to your point, I came to you basically exposing my insecurities and asking for advice until you gave very good advice. But yeah, like we're starting some, whatever, we did, like some obscenors shit that we're going to try to evolve over the summer. We have a fucking telestrator in here that we use for film breakdowns, but like there's a ton of fun stuff we can do with that. So we're trying. Don't worry, Stu, we're trying. Also, my second producer, Jeremy,

he's awesome. And he is a massive, massive Stu Gotts fan. So he's also, he's, he's right in line

with me on the hopeful vision for wake up Barstool. Tell him I'm a massive Jeremy fan.

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