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Robservations with Rob Liefeld

Secret Wars & the Rise of the Cross Over Event!

Robservations with Rob Liefeld

Robservations with Rob Liefeld

Comic Book Industry, Comic Books, Rob Liefeld, Visual Arts, Arts, Comics, Comic Artists, Books

4.8743 Ratings

🗓️ 3 July 2020

⏱️ 83 minutes

🧾️ Download transcript

Summary

Mini-series and Cross Over events arrived in the 80’s, signaling a huge shift in dynamics between publishers, retailers and fans. It changed comic books forevermore! Was it all just a happy accident? Rob examines the origins behind the Rise of Corporate Events and the toy company arms race that fueled the most successful Marvel comic book of a decade!

Transcript

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0:00.0

Hey, everybody. Welcome to another episode of Rob Zervations. I am Rob Leifeld. I have drawn and illustrated and written comic books for the last 34 years.

0:15.5

Youngblood, X-Force, Deadpool, Cable, Domino, Captain America, the Avengers, Hawk and Dove.

0:22.9

I love comic books.

0:25.0

I love making comic books, talking comic books, participating in comic books, consuming comic books.

0:30.7

And that is what Rob'servations is all about.

0:32.6

This week, we are going to bite into a juicy topic that there is no way we will encompass everything that we need to do in this installment because this is a big, multi-part subject matter that we can cover in bite-sized pieces along the way, and that is the subject of crossovers, crossovers.

0:53.8

Marvel, DC, both in the 80s, entered this bigger world of

1:02.0

multi-intercompany crossovers, and they never looked back.

1:08.5

Once these left the barn, once these horse were often racing, there was no putting them back.

1:16.2

And we have been galloping on them as an industry ever since.

1:19.9

They changed everything about comic books, comic book marketing.

1:25.8

They were an important part of giving publishers control,

1:31.4

control of the product that they were putting out and in a way that they had not maybe

1:39.4

previously experienced. And because these were so successful, this became a way that they could

1:47.8

revisit these crossover concepts and continue to market and give you events that you would need

1:54.9

to participate in. They'd throw their marketing budgets and advertising dollars at you in an effort to convince you that this was

2:02.9

something that you had to be a part of no matter who the creative team, no matter who the

2:07.2

creators. See, we are coming out of a period in the late, from the late 70s, mid-70s into the 80s,

2:13.7

as I have covered here, time and again, where creators were at the helm. You've heard these names.

2:19.2

I'm going to say them again. Jim Starlin, Frank Miller, George Perez, John Byrne, Walt Simonson, Howard Shakin.

2:26.9

These were the seminal creators, Marv Wolfman. These guys were the movers and shakers. They were giving you

2:33.1

the comics that you loved.

...

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