Season 3, Ep 53 - The New Activia (w/ Tawny Newsome)
Hello From The Magic Tavern
Arnie Niekamp
4.8 • 11.8K Ratings
🗓️ 10 August 2020
⏱️ 55 minutes
🧾️ Download transcript
Summary
Arnie stumbles upon Castle Skullmaster and is surprised to find Activia Barleyfoot inside.
Credits
Arnie: Arnie Niekamp
Chunt: Adal Rifai
Usidore: Matt Young
Activia Barleyfoot: Tawny Newsome
Talbot the Badger: Tugs the Badger
Mysterious Man: Tim Sniffen
Tricia: Kate James
Producers: Arnie Niekamp, Matt Young, and Adal Rifai
Post-Production Coordination: Garrett Schultz
Earwolf Producer: Kimmie Lucas
Editor: Chris Rathjen
Special Assistance: Ryan DiGiorgi
Magic Tavern Logo: Allard Laban
Theme Music: Andy Poland
You can support the show directly and receive bonus episodes and rewards by joining our Patreon at https://www.patreon.com/magictavern for only $5 per month. Follow us on Twitter and Instagram, and now Patreon!
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Transcript
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| 0:00.0 | In a four-part series, The Generation Y Podcast unravels the story of Khalif Browder, a young |
| 0:05.8 | boy falsely accused of stealing a backpack and held it Reikers Island for three years |
| 0:11.0 | without trial. |
| 0:12.4 | This is a story about a young life caught in the middle of the justice system. |
| 0:16.3 | Listen to Generation Y on Amazon Music or wherever you get your podcasts. |
| 0:20.1 | Well, listeners, I've made my way to the ruined Chicago Theatre District to find a familiar |
| 0:29.5 | figure standing at the center of it all. |
| 0:31.8 | Oh, don't come too close. |
| 0:33.8 | I'm dangerous, symbolically. |
| 0:36.0 | Trisha, what happened? |
| 0:37.4 | When I last saw you, you were preparing to introduce real objects to improv. |
| 0:41.5 | And I did. |
| 0:42.6 | I was in the middle of this teaching transaction scene in a shoe store, which was killing, |
| 0:48.4 | and I knew it at the time, so I ran off stage, and I came back with an actual box of shoes, |
| 0:53.6 | and pure chaos descended. |
| 0:56.1 | They had moved on to Freestagg. |
| 0:57.7 | No, worse, it was like all the rules had disappeared. |
| 1:01.6 | When people realized improv scenes could have props, they went berserk. |
| 1:05.8 | The audience was on stage, no one was editing, and then it spread to other theaters, Stephan |
| 1:11.1 | Wolf, The Goodman, both of which already used props. |
| 1:14.0 | It didn't matter. |
| 1:15.8 | That's how in sync with cultural phenomena those places are. |
... |
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