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Classic Ghost Stories

SE02E24 Rosalind by Richmal Crompton

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 1 January 2021

⏱️ 52 minutes

🧾️ Download transcript

Summary

Richmal Crompton Richmal Crompton was born in Bury, Lancashire in 1890 and died in Bromley, Kent in 1969, aged 78. She was the daughter of a clergyman who though he was ordained worked as a teacher of Greek and Latin at Bury Grammar School. She was not born into the aristocratic world portrayed in this story.She was educated at a private school for the daughters of clergymen in Lancashire. She trained as a schoolteacher like her father and got a BA in Classics from the Royal Holloway College in 1914. She was a supporter of Women's Suffrage. She worked as a teacher until 1923 when she became a full-time writer. She never married and had no children.She contracted polio and had to use a wheelchair for the rest of her life.She had moved to Bromley in Kent, just outside London when she was twenty-seven to teach at the school there. She never left the area and her writing was so successful she had a house built for herself on the Common.She was a successful novelist and published forty one novels. Her most famous series of novels was for children and featured the comic figure of William, a rather feckless schoolboy. The first of these Just William was published in 1922. The stories are hilarious and were a great favourite of mine when I was a small boy.She wrote several ghost stories and these were published in 1928 as Mist and Other Stories.Rosalind by Richmal CromptonIn Rosalind, we are plunged once more into that Edwardian world of the leisured rich of England such as we see in the stories of E F Benson. However, the story is also about an artist and his model, such as we heard in The Yellow Sign. It's quite a different story to the Yellow Sign for all that.I think this is one of the best ghost stories we have ever read. The characterisation is very poignant. Our unnam med narrator paints such a picture of Heath as the bored, but talented rich boy to whom everything comes to easily and for whom everything is therefore shallow.He takes Helen, our man's beloved, with no thought. He doesn't even consider our narrator at all. It's not selfishness, it's blindness to the existence of other people. He falls in love with Rosalind but there is no question that an artist's model will every be a life match for the future Viscount of Evesham. It would have been easy for Crompton to suggest Rosalind wished this but she is subtle enough to have Rosalind accept it too. I guess that Rosalind is willing to accept being his mistress and mother of his illegitimate child.Heath is the selfish narcissist that he sees the pregnancy only as an interruption to his idyll. He is bad tempered about this, and we see him pleased that his child and Rosalind have died so as to put an end to the possibility that it will ruin his well-planned marriage to Helen.But Heath is sentimental too. Once he realises he's lost Helen, and is unfulfilled by his planned marriage, he starts to mope and goes over the top bringing down armfuls of orchids and roses in a sentimental but ironically cheap gesture.He is so sentimental that Rosalind gestures him to his death. We can look at this in several ways. First that this is Rosalind's revenge from beyond the grave and that her ghost has connived at this and timed it perfectly just before his wedding. We remember Rosalind's vow that se won't let Helen have him.Or, it might be seen as the workings of a greater Fate, in that Heath's marriage to Helen was untenable because it was in bad faith, and that it could not be allowed to go ahead.Presumably, Helen is going into this marriage with her eyes open. She knows what it will entail and is willing to take it on as a job in order to obtain the posSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Everybody dies, don't they?

0:10.5

Everybody come back.

0:12.6

Isn't that so?

0:14.4

You tried to get into the locked drawn today, didn't you?

0:17.1

How do the dead comeback, mother?

0:20.0

What's the secrets of dead comeback?

0:22.2

Rosalind by Richmondlchrompton.

0:25.8

I had known Rosalind long before Heath saw her.

0:29.2

I don't know where she came from originally.

0:31.6

I think she was serving in a shop before she became Old Follard's model.

0:35.4

If you remember Old Follett's paintings, you'll remember what she was like.

0:38.9

A girl of about 17 with creamy skin, dewy grey blue eyes,

0:43.8

wonderful jet black lashes, and a mop of short red-gold curls.

0:48.8

I remember noticing that the upper outline of her lips was the perfect arc of a circle.

0:54.0

Her nose was delicious, a hint of the retrucée about it,

0:57.8

and something childishly immature.

1:00.1

She was small and graceful, not so much fairy-like as elfin-like.

1:05.4

Of course, people talked when she went to Follett,

1:07.9

but I happened to know that there was nothing in it.

1:10.2

She was a perfect child, and old Follett treated but I happened to know that there was nothing in it. She was a perfect

1:10.9

child, and old Follett treated her as though she were his daughter. He was a terrible old man,

1:16.6

with a reputation like a piece of tissue paper, but Rosalind appealed to some hidden streak of fatherliness

...

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