I'm a good

I'm a

I'm a

I'm a

I'm walking around. I happen to move very quickly. I walk fast and I talk fast and I

see things quickly, I think. And I've tried to formulate it into a style and it is like,

it is literally like taking the eye, the heads of the people in the audience and grabbing

them by the back of their hair and forcing them to see things by different cuts and camera moves the way I see them.

Or the way I get impressions that I see them. They're really impressions of what I see and movement. I'm really annoyed that I can never really get certain camera moves fast enough.

I'm trying to capture the way I, the way I perceive things.

I use the word perceive rather than see because I could see something but I'll remember it in some sort of,

maybe in a different perception, maybe a different image.

Or it'll be expressed it expressed another way.

And it'll be as if the camera zoomed in, or it'll be as if the camera tracked from left to right parallel.

But actually, I was moving another way, but that's the way I remember it.

And I try to get those images in my mind, those impressions, through moves, camera moves or cuts.

Actually, through cuts, that's even more fun. And I just like to enjoy it.

That's all.

I like to enjoy when I make a picture.

The New Beverly Presents, the Pure Cinema Podcast.

So, Elric, we have talked about a few different directors on this show already.

For people that haven't heard them, we've talked about Alfred Hitchcock.

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