4.5 • 942 Ratings
🗓️ 25 August 2015
⏱️ 16 minutes
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0:00.0 | Let's talk about scanning for a second. Now scanning is obviously a very |
0:08.6 | important step in the process of developing film where you're going to |
0:12.0 | digitize it and bring it into the |
0:13.2 | computer and this is probably the single thing that I get asked the most about in |
0:17.6 | conjunction with doing this show and the truth is and you can see my scanner |
0:20.6 | behind me I do not have a very fancy scanner. |
0:23.2 | In fact, it's very old, and at some point, |
0:25.2 | I'll have to replace it simply because the software |
0:27.3 | won't be able to keep up because that's getting old, too. |
0:29.8 | I've got an Epson 4870, and it's something I'd recommend not necessarily but scanners |
0:35.8 | aren't like cameras there's not a new scanner out every six weeks to check out |
0:40.0 | and look at specs on and most of the affordable options for people as far as |
0:44.2 | scanners go are going to be flatbed scanners now we're shooting 35 millimeter |
0:47.8 | film today and 35 millimeter is not exactly the easiest thing to do on a flatbed scanner. It does create |
0:54.0 | problems sometimes with keeping the film flat and there are other options |
0:57.3 | available. For me I know how to get really good scans using the scanner. I'm |
1:01.5 | going to tell you a little bit of what my |
1:02.9 | secret is to that. So that's why I have not upgraded to something else. I know that |
1:06.9 | there are other options and you guys might look into things like the Pac-on or |
1:10.6 | even some of the Nikon cool scan stuff that's just built for 35 millimeter |
1:14.4 | if you do a lot of that. I don't do exclusively 35 millimeter and I don't do it enough to |
1:19.2 | justify the cost that it would go in for me to buy an expensive scanner. |
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