3, 2, 1. It belongs in a museum. Did I do that one last Indiana Jones episode? I don't

know. I didn't, I didn't re-listen to it before this one, but fuck it. We're doing Indie

again for a little bit, so I'm at him from, sorry, sorry, nonicast. This is your movie

text. Hello. Ralph, the movie maker. But this time you're talking about Harrison Ford.

That's, that's the difference. He belongs in a museum. Yes. At this point. Yeah. That's

the difference. Yeah. I'm Alex from IUG. Fought Poop Duty. There you go. There's my addition

to the intro. Oh yeah. Nice. You like that? You like that, Gus? Yeah. Thank you. I was

trying to remember a specific quote from Boss Baby, and I didn't really feel like going

through all my notes to land on something. So you have notes for Boss Baby? I have notes

for every movie we talk about on this podcast. I don't. I got notes on notes for Boss Baby.

The movie was so imprinted on my brain. I don't need notes. It is memorable. Yeah.

So we all watched, before we get to the epic boss, the boss, the busiest boss of all

babies, the epic double feature, the epic, the most epic feature of baby features of

boss. We saw the inverse. We saw a very old man in Indiana Jones five, the dial of destiny.

That's true. I didn't think about the, that's a funny like, I don't know, theme. Yeah.

We're Benjamin buttoning here. We're doing old first. Right. We did a movie about

babies, and then we did a movie about an old man, a geriatric, geriatric patient. Yeah.

And did you be perfectly honest? The only reason I watched this is for both of you, because

you said you'd watched it. Oh, that's nice. There's a potential like, hey, we could watch

this the next episode. I was never going to fucking watch this shit. I was never going

to watch it. And I watched it in theaters for you guys. So you're welcome. So you enjoyed

it then. No. No. Yeah, this is a weird one. I've had all this house in Ford now, but

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