4.4 • 13.7K Ratings
🗓️ 7 December 2025
⏱️ 52 minutes
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Sally Mann is a photographer and a New York Times bestselling writer. She is best known for making large-format black and white photographs of the people and places in her immediate surroundings: her children, her husband, and the rural landscape of her home state and the American South. Sally was born in Lexington, Virginia, the youngest of three children to Robert and Elizabeth Munger. Her father was a doctor and gave Sally his old Leica camera to play with. After university, she wanted to be a poet but she spent more than a decade as a commercial photographer while starting a family of her own and exhibiting her work on a small scale. She published her first book of photographs in 1984. That same year, she began taking pictures of her three children for a series called Immediate Family, which brought her both renown as well as infamy for touching on ordinary moments in their daily lives – playing, sleeping, and eating, sometimes while naked – but also speaking to larger themes such as death and cultural perceptions of childhood, rendering familiar subjects “both sublime and disquieting”. In the mid-1990s, she began to move away from the family pictures in favour of photographing the landscape around her. Much of Sally’s body of work comes from observing what is closest at hand because, she says, “The things that are close to you are the things that you can photograph the best.” She has explored the identity of the American South, and her relationship with her place of origin, as well as mortality and decay, and the effects of muscular dystrophy on her husband. In her latest book, Art Work, she considers the challenges and pleasures of the creative process. Sally continues to live on the 800-acre family farm near Lexington with her husband Larry and a number of dogs.
DISC ONE: Köln, January 24, 1975, Part I - Keith Jarrett DISC TWO: Take This Hammer - Odetta DISC THREE: Trustful Hands - The Dø DISC FOUR: Oh Holy Night. Composed by Adolphe Adam and performed by Concert Choir of St Andrew’s School, Delaware and Virginia Mann (Soprano) DISC FIVE: Moby Dick (an extract of Chapter 3) Written by Herman Melville and narrated by Frank Muller DISC SIX: County Seat - Emmett Mann DISC SEVEN: Vivaldi: Oboe Concerto in C major, RV 452: 2. Adagio. Performed by Heinz Holliger (Oboe), I Musici (Ensemble) DISC EIGHT: You Are My Friend (Live) - Sylvester
BOOK CHOICE: In Search of Lost Time by Marcel Proust LUXURY ITEM: Paper and a pencil CASTAWAY'S FAVOURITE: You Are My Friend (Live) - Sylvester
Presenter Lauren Laverne Producer Sarah Taylor
Desert Island Discs has cast many photographers away over the years including Eve Arnold, Val Wilmer and Vanley Burke. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.
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| 0:40.6 | Every week, I ask my guests to choose the eight tracks, book and luxury that they'd want to take with them if they were cast away to a desert island. |
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| 0:59.8 | I hope you enjoy listening. My castaway this week is the photographer Sally Mann. |
| 1:24.1 | She's been described as a memoirist, exploring her own story and that of the American |
| 1:29.0 | South through her pictures and more recently as a writer. Her work has made her one of the most |
| 1:34.5 | influential photographers in the US today. She was born in 1950s Virginia, into a bohemian family. |
| 1:41.5 | Her father was a country doctor who collected modern art and gave her her first camera. She met her husband Larry, then a blacksmith, at 18. Their family became her subject. The atmospheric images she captured of their three children on their remote, self-sufficient farm in rural Lexington, garnered critical acclaim, while also provoking censure from some conservative |
| 2:02.5 | commentators. In her work, beauty sits alongside loss. Her landscapes of former Civil War |
| 2:09.0 | battlegrounds, studies of the human body, both living and dead, and her intimate portraits of her |
| 2:14.3 | husband, who has muscular dystrophy, explore the interplay between life and decay, |
| 2:19.6 | mourning what is gone while eulogising what survives. She says, to be able to take my pictures, |
| 2:25.6 | I have to look all the time at the people and places I care about, and I must do so with both |
| 2:31.6 | ardour and cool appraisal, with the passions of eye and heart, |
| 2:35.6 | but in that ardent heart, there must also be a splinter of ice. |
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