S8 Ep247: ROMAN EXCEPTIONALISM VS. HUMAN TRAGEDY Colleagues Scott McGill and Susanna Wright. They discuss whether the Aeneid justifies Roman empire or tells a human story. McGill argues the poem survives because it creates sympathy for antagonists like Dido and Tur
The John Batchelor Show
John Batchelor
4.5 • 2.8K Ratings
🗓️ 26 December 2025
⏱️ 6 minutes
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1772 CARTHAGE
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| 0:00.0 | This is CBSI in the world. I'm John Batchel. It's great fun to spend time with two |
| 0:09.9 | classicists who have translated the Aeneid because I'm aware of the fact that we're telling a |
| 0:15.4 | whopper of a tale in pieces. You know, it's like this is the the thriller highlights that we put up on the screen |
| 0:24.5 | for you to watch the whole movie. So come now to the history of this incredible whopper. |
| 0:31.6 | Scott, it came to me as I was reading over, not necessarily looking for it, that they kept coming back and back |
| 0:40.9 | justification for the civil war conduct of the Romans and that they were destined. That word is |
| 0:48.0 | overused here. It was written in stone and the gods agreed that Rome would be founded by these violent events, |
| 0:57.5 | and that everything in the future would be predicted at the time of the founding of the city, |
| 1:03.2 | including the battle of the success that Octavian had, becoming the emperor. |
| 1:08.1 | So at some point it occurred to me, I said, this is Roman exceptionalism. |
| 1:13.8 | That's how this document could be used. Was it used that way, Scott? |
| 1:18.7 | I think it's, as you say, it certainly could be, and I do believe it was, and I believe it's been, |
| 1:24.1 | I mean, it's been read like that until today, right, as a document, |
| 1:28.5 | justifying Rome. And the idea that Rome is the faded power of the world, the faded empire |
| 1:33.7 | of the world, that is written into the poem, I think, without question, right? Certainly certain |
| 1:38.5 | passages in the poem, one in book one, one in book six, one in book eight, they explicitly make the case. |
| 1:45.5 | There are ways to kind of complicating that reading, but I do think it's there. |
| 1:50.9 | And I do think, you know, that that is a part of what Virgil is up to. |
| 1:56.8 | But it doesn't tell the whole story, because if this were just a kind of propaganda piece for Rome, it would have historical interest, sure. But I don't think it would have deep kind of literary interest and the kind of literary interest that's kept it alive for 2,000 years. I think what Virgil is able to do is to some degree champion Rome and champion Rome is the faded exceptional empire of history. |
| 2:19.8 | But he also brings out the human side of that. |
| 2:22.9 | It's a grand historical story told at the human scale fundamentally. |
| 2:27.7 | And important to that is the tremendous sympathy that he shows to all his characters, especially Dido. Of course, Dido opposes |
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